He stopped short as he saw her, and coming up to her, put his hand on
her white shoulder.
"Writing, mother?" he said.
The countess folded her letter.
"Yes. Where are you going?"
He pointed to the Louis Quatorze clock that ticked solemnly on a
bracket.
"Ten o'clock, mother," he said, with a smile.
"Oh, yes; I see," she assented.
He stood for a moment looking down at her with all a young man's filial
pride in a mother's beauty, and, bending down, touched her cheek with
his lips, then passed out.
The countess looked after him with softened eyes.
"Who could help loving him?" she murmured.
Humming an air from the last opera bouffe, he ran lightly up the
staircase and passed along the corridor, but as he reached the further
end and knocked at a door, the light air died upon his lips.
A low voice murmured, "Come in;" and opening the door gently, he
entered.
The room was a small one, and luxuriously furnished in a rather strange
style. On the first entrance, a stranger would have been struck by
the soft and delicate tints which pervaded throughout. There was not
a brilliant color in the apartment; the carpet and hangings, the
furniture, the pictures themselves were all of a reposeful tint, which
could not tire the eye or weary the sense. The carpet was a thick
Persian rug, which deadened the sound of footsteps, costly hangings of
a cool and restful gray covered the walls, save at intervals; the fire
itself was screened by a semi-transparent screen, and the only light in
the room came from a lamp which was suspended by a silver chain from
the ceiling, and was covered by a thick shade.
On a couch placed by the window reclined a young girl. As Leycester
entered, she half rose and turned a pale, but beautiful face toward him
with an expectant smile.
Beautiful is a word that is easily written, and written so often that
its significance has got dulled: it fails to convey any idea of the
ethereal loveliness of Lilian Wyndward. Had Mr. Etheridge painted a
face with Leycester's eyes, and given it the delicately-cut lips and
spiritual expression of one of Raphael's angels, it would have been a
fair representation of Lilian Wyndward.
"It is you Leycester," she said. "I knew you would come," and she
pointed to a small traveling clock that stood on a table near her.
He went up to her and kissed her, and she put her arms round his neck
and laid her face against his, her eyes looking into his with rapt
devotion.
"How hot you are, dear. Is it hot down there?"
"Awfully," he said, seating himself beside her, and thrusting his
hands into his pockets. "There is not a breath of air moving, and if
there were the governor would take care to shut it out. This room is
deliriously cool, Lil; it is a treat to come into it."
"Is it?" she said, with a glad eagerness. "You really think it is. I
like to hear you say that."
"Yes, it's the prettiest room in the house. What is it smells so sweet?"
"Lilac," she said, and she pointed to a bunch on the table.
Public-domain text, read in full here on John Shaqi.
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