He started slightly, and, stretching out his hand, took a spray out of
the epergne.
"I thought it was lilac," he said, quietly. "I noticed it when I came
in."
She took the spray from him and fastened it in his coat, against which
her hands looked white as the driven snow.
"You shall take it to your own room, Ley," she said. "You shall take
them all."
"Not for worlds, Lil," he said. "This will do."
"And what are they doing?" she asked.
"The usual thing," he replied; "playing, singing, rubber at whist, and
boring each other to death generally."
She smiled.
"And what have you been doing?"
"Assisting in the latter amusement," he answered, lightly.
"They told me you had gone out," she said.
He nodded.
"Yes, I took the chestnut for a spin."
She laughed, a soft, hushed laugh.
"And left them the first night! That was like you, Ley!"
"What was the use of staying? It was wrong, I suppose. I am
unfortunate! Yes, I went for a ride."
"It was a lovely evening. I watched the sunset," and she looked at the
window. "If I had known you were going, I would have looked for you. I
like to see you riding that big chestnut. You went across the meadows?"
"Yes," he said, "across the meadows."
He was silent for a minute, then he said, suddenly, "Lil, I have seen a
vision to-night."
"A vision, Ley!" she repeated, looking up at him eagerly.
He nodded.
"A vision. The most beautiful girl I have ever seen, excepting you,
Lil!"
She made no protest, but smiled.
"Ley! A girl! What was she like?"
"I can't tell you," he said. "I came upon her in a moment. The chestnut
saw her first, and was human enough to be struck motionless. I was
struck too!"
"And you can't tell me what she was like?"
"No; if I were to describe her with usual phrases you would smile. You
women always do. You can't help being a woman, Lil!"
"Was she dark or fair?"
"Dark," he replied. "I did not know it at the time; it was impossible
to think whether she was dark or fair while one looked at her, but I
remembered afterward. Lil, you remember that picture I sent you from
Paris--the picture of the girl with the dark eyes and long, silky
hair--not black, but brown in the sunlight, with long lashes shading
the eyes, and the lips curved in a half-serious smile as she looks down
at the dog fawning at her feet?"
"I remember, Ley. Was she like that?"
"Yes; only alive. Fancy the girl in the picture alive. Fancy yourself
the dog she was smiling at! I was the dog!"
"Ley!"
"And she spoke as well as smiled. You can imagine the voice that girl
in the picture would have. Soft and musical, but clear as a bell and
full of a subtle kind of witchery, half serious, half mockery. It was
the voice of the girl I met in the lane this evening."
"Ley! Ley, you have come to make poetry to me to-night. I am very
grateful."
"Poetry! It is truth. But you are right; such a face, such a voice
would make a poet of the hardest man that lives."
Public-domain text, read in full here on John Shaqi.
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