Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
One day, about noontime, the guard, waiting to be relieved by their
comrades, were on duty near the guard-house, which was situated in a
public square of Seville. As the soldiers sat about, or walked with
muskets over shoulders, their service was not especially wearisome,
because people were continually passing through the square, and
besides there was a cigarette factory on the other side of the
square, and when the factory hands tumbled out, about noon, there was
plenty of carousing and gaiety for an hour. Here in the square were
little donkeys with tinkling bells upon them, and donkeys carrying
packs upon their backs, and gentlemen in black velvet cloaks which
were thrown artistically over one shoulder, and with plumes on their
hats. Then, too, there were ragged folks who looked rather well,
nevertheless, since their rags were Spanish rags, and made a fine show
of bright colours.
Just as Morales, the officer of the guard, was finding the hot morning
rather slow, and wishing the factory bell would ring, and his brother
officer march his men in to relieve him, Michaela appeared. She had
come into the city from the home of Jose's mother, which was somewhere
near, in the hills. His old mother had become so lonely and worried,
not having heard from Jose for so long, that at last the girl had
undertaken to come down into the city, bearing a note from his mother,
and to seek him out at his barracks. She had inquired her way till she
found the square where the guard was quartered, and now, when she
entered it, Morales was the first to see her.
"That is a pretty girl," Morales decided as he watched her. "Seems to
be looking for some one--little strange in this part of the town,
probably. Can I do anything for you?" he called to her, as she
approached.
"I am looking for Don Jose, a soldier, if you know him----"
"Perfectly. He is corporal of the guard which is presently to relieve
us. If you wait here, you are certain to see him." Michaela thanked
him quietly, and went away. The soldiers were strange to her, and she
preferred to wait in another part of the square rather than where
they were idling. She had no sooner disappeared than the music of the
relief guard was heard in the distance. It was the soldiers' chorus: a
regular fife and drum affair. It came nearer, nearer, nearer, till it
arrived in full blast, fresh as a pippin, the herald of all that was
going to happen through four acts of opera. There was to be fighting
and smugglers: factory-girls in a row, and Carmen everywhere and
anywhere, all of the time.
Public-domain text, read in full here on John Shaqi.
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