Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces — John Shaqi
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
With the new guard comes first the bugler and a fifer with a lot of
little ragged urchins tagging along behind; then comes Zuniga
strutting in, very much pleased with himself, and after him Don Jose,
the corporal, whom Michaela has come to town to see. The street boys
sing while the new guard lines up in front of the old one, and every
one takes up the song. It is the business of every one in opera to
sing about everything at any time. Thus the guard describes itself in
song:
On we tramp, alert and steady,
Like young soldiers, every one!
Head up, and footfall steady,
Left, right! we're marching on!
See how straight our shoulders are,--
Every breast is swelled with pride,
Our arms all regular--
Hanging down on either side.
There is not much poetry in this, but there is lots of vim, and the
new guard, as bright as a new tin whistle, has formed and the old
guard marched off during the singing. Meantime, while things have been
settling down, Morales has had a word with Don Jose.
"A pretty girl is somewhere near here, looking for you, Jose. She
wore a blue gown and her hair is in a braid down her back; she's----"
"I know her; it is Michaela," Jose declares: and, with the sudden
knowledge that she is so near, and that she comes directly from his
old mother, he feels a longing for home, and realizes that he has been
none too thoughtful or kind toward those who love him. As everybody
finds himself in place, Zuniga points across to the cigarette factory.
"Did you ever notice that there are often some tremendously pretty
girls over there?" he asks of Jose.
"Huh?" Jose answers, abstractedly. Zuniga laughs.
"You are thinking of the pretty girl Morales has just told you of," he
says. "The girl with the blue petticoat and the braid down her back!"
"Well, why not? I love her," Jose answers shortly. He hunches his
musket a little higher and wheels about. He doesn't specially care to
talk of Michaela or his mother, with these young scamps who are as
thoughtless as himself: he has preserved so much of self-respect; but
before he can answer again the factory bell rings. Dinner time! Jose
stands looking across, as every one else does, while the factory crowd
begins to tumble out, helter-skelter. All come singing, and the girls
smoking cigarettes, a good many of them being gipsies, like Carmen.
They are dressed in all sorts of clothes from dirty silk petticoats,
up to self-respecting rags. Carmen is somewhere in the midst of the
hullabaloo, and everybody is shouting for her.
Public-domain text, read in full here on John Shaqi.
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