Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces — John Shaqi
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
As the afternoon sun grows hot the citizens begin to creep within
doors for the _siesta_, as all Spanish life seems to grow tired and
still in the burning day. Suddenly the silence is broken by a scream
from over the way. Jose starts up and looks across.
"Hey, there! what the devil!" Zuniga shouts from the guard-house, and
runs out. "Hello, hello! Jose, look alive there! What's gone
wrong?--what the----" And the men start to run across the square.
"Help, help!" comes from the factory. "Will no one come? We're being
killed--the she-devil--look out for her--Carmen! Look out for her--she
has a knife!" Every one is screaming at once and trying each in his
own way to tell what has happened.
"Get in there, Jose, and bring out the girl. Arrest the gipsy; and you
men here get into this crowd and quiet it down. Make those girls shut
up. Why, what the devil, I say! one would think a lunatic asylum
loose. You've got the girl, Jose?" he calls across as the corporal
brings Carmen out. "Bring her over," and Zuniga starts across to meet
them, clattering on the cobblestones with his high heels.
"She knifed one of the girls, did she? All right--clap her into jail.
You're just a bit too ready with your hands, my girl," the captain
cries as Jose takes her into the guard-house.
Jose is set to guard her; which is about as wise as setting the cream
where the cat can dip her whiskers.
If it pleased the girl a moment before to stab a companion, it pleases
her best now to get out of jail. She begins ably.
"I love you," she remarks to Jose.
"It does not concern me," replies the heroic Jose.
"It should," Carmen persists.
"Ah!" replies Jose, noncommittally. This is unsatisfactory to Carmen.
However, she is equal to the occasion. When is she so fascinating as
when quite preoccupied?--she will try it now. She will sing:
[Music:
Near to the walls of Sevilla
With my good friend Lillas Pastia
I'll soon dance the gay Seguidilla
And I'll drink manzanilla--
I'll go see my good friend Lillas Pastia!]
Jose is disturbed. Carmen is conscious of it. She continues to sing,
meanwhile coquetting with him. Before he is aware of his own mood, he
has cut the cord that he bound her hands with, and has disgraced
himself forever. In the fascination Carmen has for him, he has
forgotten that he is a soldier. Presently Zuniga enters. Carmen is to
be transferred in charge of Jose, with a guard detailed to go with
him. It is arranged. Carmen also makes some arrangements.
Public-domain text, read in full here on John Shaqi.
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