Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
"When we have started, and are about to cross the bridge, I'll give
you a push. You must fall--you could not see me locked up--one so
young and gay!--and when you fall I shall run. After you can get away,
meet me at Lillas Pastia's inn." Jose seems to himself to be doing
things in a dream. He has earned a court-martial already if it were
known what he has done. A corporal's guard start under Jose; the
bridge is reached. Carmen makes a leap; down goes Jose. The others are
taken unawares and she rushes at them. They too fall, head over heels,
one down the bank. Carmen is up, and off! She flies up the path,
laughing at them as they pick themselves up.
"This is a good business, eh?" Zuniga sneers. "On the whole, Don Jose,
I think you will shine rather better under lock and key, in the
guard-house, than you will as a soldier at large. Men, arrest him!" he
orders sharply, and Jose has made the first payment on the score Fate
has chalked up against him.
ACT II
Flying to Lillas Pastia's inn, as she had agreed with Jose, Carmen is
joined by her old comrades--smugglers and gipsy girls, chief of whom
are Mercedes and Frasquita. It is late at night, and a carouse is in
progress. Among those in the inn is Zuniga himself. As a matter of
truth, he has fallen in love with Carmen on his own account, and has
kept Jose under arrest in order to have him out of the way. There they
are, all together, the gipsies playing on guitars and tambourines. The
girls are mostly dancing. Carmen is coquetting with every man present,
and the fun becomes a riot, so that the innkeeper has to interfere.
"It is so late, I've got to close up," he says. "You'll all have to
clear out." Zuniga looks at Carmen. He wants to have a talk with her.
"Will you go with me?" he asks.
"I've no good reason for going with you," she answers, tantalizingly.
"Perhaps you're angry because I have locked Jose up," Zuniga suggests.
"If you will make yourself agreeable, I don't mind telling you I have
had him set free."
"What's that? Not in prison?" she asked. "Well, that's very decent of
you, I'm sure," she sneers. "Good-night, gentlemen, I'm off!" she
cries, and runs out into the night. Everybody follows her but Zuniga,
who knows well enough he cannot trust her. They have no sooner
disappeared than Zuniga hears shouts and "hurrahs" outside. He runs to
the window and leans out.
Public-domain text, read in full here on John Shaqi.
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