Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
"Lookie," I said. "Many years ago, when I was younger and foolish, I
wrote a book about a few of the more conspicuous and lethal flaws in
our fair nation. The book was some three hundred and seventy pages
long. I devoted all but about twenty pages to the calamitous follies
of males. Men, as you call them. But I did, for some twenty pages of
light blast, violate the ironclad altar of femininity and point out
mom's big mouth and little brain, her puffed crop and shaky pins. A
few things. I hardly thought I had loaded the dice--inasmuch as half
the people are female and I gave females only about a fifteenth of my
slightly caustic attention. But ever since that book came out, almost
every woman I've met has accused me of outrageously laying the blame
for a manifestly hell-bound society on females. In the first place,
this is not true. In the second place, such statements--the hundreds
I've collected--tend to show that American women positively refuse to
take any blame for anything whatever. They have no conscience and no
sense of responsibility. They believe themselves to be as spotless as
United States senators say they are, in campaign orations. They lack
the capacity for admitting guilt. They are nearly all--I have thus
found--psychologically far, far, far more destitute than I claimed only
certain kinds of them to be."
She laughed. "You're _still_ mad! Someday you'll break down and write
a wonderful novel about the woman who really poisoned you against them
all."
"I'll break down," I agreed. "But I'll never write the novel! One
reason is--there's no such novel. Women have always been good to
me--with a few exceptions I can tolerate. Women have made love to me
and they have been generous with me, and taught me, and they have been
sensitive toward me. My daughter--who is sixteen--adores me. My first
wife tried every combination she could think of to make me happy--and
put up with me for ten years, when I was a drunkard. My second wife
has gone even further. Past ten years--for one thing. And I quit
drinking altogether, after we'd been married for a while. I--to repeat
the most readily understandable expression--adore her. And I adore my
daughter. I adore women, as a matter of fact. Such vexation as I have
shown represented an aspect of that reverence: a good many women are
fundamentally disappointing to anybody who cares much for women. And
I resent the general damage such women do. A man"--I looked at her as
loftily as I could--"has a curious faculty for resenting human sabotage
even when he is not, himself, directly involved in the matter. A woman,
as a rule, sees harm in the ruinous excursion of a nitwit only if she
sees it as a real or potential menace to herself, loved ones, and
assigns. It is a comfortingly personal outlook toward which I am hotly
antipathetic."
"You talk like your books," she said.
"Why not? I wrote the damned things!"
She poured her brandy into her coffee and drank a little.
Public-domain text, read in full here on John Shaqi.
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