Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
The letter S was photographed. Samples of it were taken. The air
currents in and around it were measured by instruments operated
through ports in airplanes readied just for the task. Various tagged
atoms were then dusted into the letter and their courses were pursued
by scientists in helicopters, armed with counters. From the ground,
spectroscopes were trained upon the initial and diffraction gratings
laid bare its spectrum. Everything was done that had been planned at
the University of Chicago--and elsewhere in the city--and by a variety
of physical scientists who phoned and wrote in their suggestions.
Meantime, an H formed next to the S and subdued titter filled the
watching streets.
The third plane followed when an ineluctable I was added to the
throbbing sky-scene. As if this was carrying cosmic anagrams too far,
military aircraft undertook to break up the phenomenon--also according
to plan.
Four-letter words, so called, are one of the great American taboos. In
this connotation, nuts and crap are not considered precisely forbidden,
though each has a special reference which is impermissible. All people
know all the four-letter words, of course, since they are scribbled
everywhere and commonly used by lower caste persons when under duress.
And substitute words are employed, by the most devout, for every
profane or obscene term. So the taboo is of a magical nature (speaking
anthropologically). Primitive people, such as the Americans, generally
employ medicine men, witch doctors, or priests against magical threats.
In this case, however, physical rather than spiritual results were
expected from the efforts of the airmen.
First, formations of jets flew through the cloud-spelling--along its
own paths and then in series of crisscrosses. Nothing much happened;
the streaming jets blew wisps and curls of mist out of alignment but it
swiftly filled itself in again. Heavy bombers followed, but the washes
of their props were equally ineffectual. During the bomber maneuvers,
furthermore, one Paul Kully, a student flier, eluded the police and
ventured close to the now-completed T. The pilot of the leading bomber,
a B-36, took evasive action too late, and Mr. Kully's light plane,
shorn of a wing and set on fire, came spiraling to earth--a sight
enormously exciting to the already enthralled Chicagoans.
Public-domain text, read in full here on John Shaqi.
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