Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
"I would have been furious, though."
She referred, still, to my hypothetical infidelity. And her reference
was interesting. Without thinking, she had used the past perfect
subjunctive. If, that is to say, her husband--the apparent supplier
of the opulent rings--had trifled with a strange brunette at some
lodge convention, this young lady's reaction _would have been_
fury. It apparently would not be, now. The assured presumption was,
therefore, a rift between herself and her spouse. Coupled with her
way of drinking cocktails while eating a sandwich, the brandy in her
coffee, her reading matter, and, particularly, the blur of suffering I
had seen in her eyes, this presumption led to further inference: the
rift was recent and she was in flight from it, while yet attempting to
understand its causes.
She was, that is to say, no habitual Martini drinker; these do not mix
their cocktails with their viands. She was reading Kinsey not from the
starved cupidity of hundreds of thousands of other women (for if she
had been even that uninhibited she would have read it sooner) but in
the effort to discover something. She was drinking not to drown her
sorrow but to take away its edge: she had mixed her latest drink with
the antidote of coffee. And, inasmuch as I had never seen her with
her husband at the Astolat, it was a good guess, at least, that she
was here as part of an act of abandonment rather than as a result of
being abandoned by him. Her accent was vaguely eastern--but eastern
rubbed against, and somewhat eradicated by, the flatter tones of the
West. Like numberless other such women, she had fled to New York for
refuge--and from a considerable distance. Texas, perhaps, or Arizona.
And probably she had lived in Manhattan before now: the Knight's Bar
was unknown to tourists--with the exception of Europeans visiting
America.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account