Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse — John Shaqi
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
"Famous ones, I mean. What's your wife like? Blonde? Brunette?"
"You know a movie actress named Maureen O'Sullivan?"
She nodded.
"Ricky--my wife--gets mistaken for her. We go into night clubs and
sometimes they give us a swell table and people begin asking each other
who the hell I am--thinking they've identified Ricky."
"She's sweet--Miss O'Sullivan."
"Ricky is, too."
"Who's the most beautiful one you ever met?"
"The most beautiful one--I never met. Hedy Lamarr."
"You could, though. Celebrities can meet each other."
"I'm only about a Class D celebrity."
"Suppose--?" She eyed me speculatively. "Suppose some glamorous dame
and you met. Suppose you got a yen for her? What would you do?"
"God knows."
"I'm serious. After all, you've written enough articles and books and
stories about it. Do you mean what you say? Or are you just trying to
be sensational?"
"Would I, in other words, after meeting the gorgeous Miss or Mrs.
So-and-so, invite her to take a long drive in the country--or to picnic
on a beach--to look at etchings? Would I, personally? I might. Sure."
"What would Mrs. Wylie say?" The gray eyes were troubled--perhaps
afraid.
"Maybe nothing. She would never hear of it. Does marriage have to end
privacy entirely--every hour of it in a life? If she did hear--she
might still say nothing. She might laugh at me. She might be hurt. She
might be angry. It would depend on her mood at the moment."
"Her mood just at the moment!"
"Sure."
"Isn't that--pretty"--she sought a term--"unstable?"
"Extremely stable. It would show that she regarded what we have been
led to call infidelity a matter of so superficial a nature as to be
colored by a superficial mood. This, in turn, would indicate that
her more profound attitude toward me--and my feelings for her--was
unshaken. Stable, as you would say. If, on the other hand, I knew she
would have only one, single conceivable reaction--whether noncommittal
or aggrieved--I could be certain that her feelings for me, and her
deepest sense of my feelings, had become absolutist, rigid, probably
dominating and demanding, certainly doctrinaire. I could deduce that
she was in a most unstable situation--since people resort to the
projection of absolutes on other people only when they are torn by
uncertainty of themselves. Notice this in religions. The absolutes are
defined to a hair--with different sorts of steeples, doorways, fonts
and crucifixes marking infinitesimal splits over dogma--but with no
commensurate variation in the effect on human conduct whatever. Is a
Baptist nobler than a Methodist? Kinder? Wiser? No. So the different
absolutes of both, seen detachedly, represent nothing more than the
uncertainty, instability, self-doubt, inconfidence, distrust, and lack
of magnanimity of both. Their passion to lay down the law, taken with
the minuscule variants that ensue, is proof that Christians have no
stability whatever. Sex follows the same rule--and so does everything
else."
Public-domain text, read in full here on John Shaqi.
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