Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
"Dr. Einstein," I said, "walking around under his hair. Thinking
so hard he never noticed the earthquake. It was the spring of
nineteen-thirty-three. Perhaps I should explain that, in those days,
when they wanted to split an atom, they generally used beryllium. A
common element--half as heavy as aluminum and twice as strong--but
difficult to recover. Poor Dr. E! Like all the reasonable men,
seemingly he cannot perceive that what he thinks of as irrational is
the force that governs human destiny! He assumes it's just a matter of
enlightening the politicians. The deification of reason--the worship of
common logic--cuts off human personality from natural truth exactly as
idolatry destroys the faculty of rational analysis. And for the same
reason. The intellectual paragon is as blind as any pagan--in the
opposite direction. But we were talking about Pasadena--"
"Vaguely," she said.
"I'll be more explicit, then. I was working for Paramount in that
blessed era when nothing upset the world worse than a depression. A
curable malady--that. Anyhow, I had a producer who lived in Pasadena. A
big, reddish house on one of those irrigated buttocks that grow out of
the lower mountains. Completely surrounded by thornbushes--except for
the entrance gate. The first time I went there was Sunday--a nine A.M.
conference--and my producer's butler served highballs right away to
myself and the other writers. I shall never forget it--or ever recall
a word that we said there that day. I was an animal-horror man, at the
time--"
"A what?"
"Animal-horror man. That's what the studio boss called me. In fact, he
said I was pretty young to be an animal-horror man, the first time we
met."
She drank some of her brandy and then did a disturbing thing.
She took her pale, wavy hair in both hands and bent it back up over
her head so that the curly ends fell everywhere around her face. When
she did it, she looked at me in a certain way. We were both supposed
to understand the gesture perfectly--and not to notice it at all. Wild
horses weren't supposed to be able to drag out of us an admission of
what it meant.
Public-domain text, read in full here on John Shaqi.
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