Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse — John Shaqi
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
"Those were not only the beryllium days, but the days of animal
pictures and horror pictures. Frank Buck and Osa Johnson and Tarzan.
Frankenstein. Paramount was trying to combine the grisliest features
of all of them. They were making Wells's _Island of Dr. Moreau_--for
instance. And I was doing some of the writing. Hence I was an
animal-horror man--and young for it, too. Precociously animalistic and
horrible. Remember? Cobras fought mongooses? Tigers fought pythons and
other unnatural antagonists? Zebus fought gnus? My producer wanted
to throw a half dozen lions into a school of big sharks--and get some
red-hot close shots of the fights that would then ensue. That--I
stopped. Even we ogres draw the line somewhere--and I know a good deal
about sharks. The lions, if you once got the sharks hitting them, would
not be fighting, as my producer imagined, but dying by mouthfuls."
"How awful!"
"Pasadena, it was," I reminded her. "Another conference at that big
house amongst the thorns. I know the place like a book. I know the
spirit of the place. You lived there?"
She stared at the room, empty now of all but waiters and two or three
pairs of murmuring people. Full, however, of Musak. Light operettas.
"Somehow it's easier to talk to strangers," she said, "than to people
you've known all your life."
"Of course!" I replied in sober agreement--although I thought the idea
was rubbish.
"And besides," she went on, immediately contradicting herself, "I've
read your articles and books and I feel as if I knew you better than
you knew yourself."
Unlikely, I figured. But this was important to her, so I nodded. "Maybe
you do--in some ways."
She had shown a certain economy of speech--owing possibly to the fact
that I had given her little opportunity to show anything else. But her
biography was fairly terse:
"I was born in Boston--and the family moved here when I was a baby.
My dad graduated from Princeton in 1921. He's a very intelligent,
strong-willed, wonderful guy. My mother's a chronic invalid--of her
own making. I have one sister--older--and no brothers. I'm very fond
of my sister--but I was always jealous of her when I was young. Dad
tried to make her a substitute for a son--took her everywhere, taught
her sports and games--and I wanted to be the one. She's married and
lives in Chicago. I went to school in Westchester--Rosehall--and came
out here. At a mass début. Dad's in real estate. After I came out, I
fiddled around awhile--Junior League, and Red Cross, and Bar Harbor in
the summers--and then I met Rol."
Public-domain text, read in full here on John Shaqi.
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