Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
She took a breath that quavered like a musical saw. "He's handsome.
He has manners--buckets and barrels of manners. And money." She
looked angrily at her rings. "I tried to make something out of him.
To put ambition in him. I got him to work for dad--and he quit. He
wanted to go to California because he likes flowers. My God, how he
likes flowers! We had greenhouses full. He thought he could become a
botanist--or hybridize something--and he dawdled away his time with
paintbrushes and pollen. I persuaded him to go into real estate out
there--and he made a lot more money--but he gave it up. He began
collecting a library of old books on botany--and writing a history
of botany--and I was bottled up in botany. It got so he would hardly
even dress up. Or shave. Overalls all day. I'd want to go places and
see people and do things--and we'd be home, instead, with some French
professor, maybe, for dinner, complete with beard, accent, ribboned
glasses, and knee-patting under the table. Half the time, these
professors and Rol--for Roland--talked Latin. I flunked it, three
straight semesters, myself. Well--I took to going out alone--and he
didn't care. I even tried to make him jealous--and he positively seemed
to approve. He told me I needed outside interests and that he was a
dull fellow for me! I--" She bit her lip.
"--love the guy."
"Not now. I did. What finally happened was--"
"Should I get that beer ready?"
She shook her head. For a while she was silent. Then she touched
the book. "I heard--I knew--I suppose I shouldn't even have been
surprised--let alone driven out of my mind--but there's so much that's
nice about him. Used to be, anyhow. Too nice--and that should have
prepared me--"
I got it, then. "Not--other women, Yvonne. Men, huh?"
She shuddered. You don't see people shudder very often--in restaurants,
anyway. She shuddered because that was how it made her feel. She
couldn't help it. And when the spasm passed, her hands went on
trembling--like glassware vibrating after a certain right note has
been struck. "He hired an assistant--a young college graduate--that I
liked, at first. Then--one day--I got so bored and lonely I went into
the greenhouses, which I hated, looking for them. And I found them, all
right."
She began to cry again--and to talk through the tears. "It was
only--two weeks ago. Rol was dreadfully upset. He promised--everything
on earth he could think of. And I stayed a week more--but it was
simply too awful. I finally bought tickets. I--I don't like living
at home--mother's such a sobby mess all the time. I wanted to see
dad--and of course he was about ready to go out and kill Rol.
Somebody--somebody--" her voice sank--"told me that if I read the
Kinsey Report I'd see that what happened to Rol happened to maybe a
third of the men like Rol. I guess it does. What difference does that
make?"
Public-domain text, read in full here on John Shaqi.
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