Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
Thus, in trifling example, where you might have been sweltering, I
was sweating without psychic trauma. You may have taught yourself,
been taught, or may have decided from observation that ninety degrees
is an insufferable temperature. I have concluded it is pleasant. My
constitution is no different from yours. The concept of thin blood
is mythical--mine, indeed, is probably "thicker" than yours, for it
contains a very high number of red cells. But the opinion my cortex
holds of hot weather permits the rest of me to function in a hot room
without the added burden of psychic pain. Your synthetic dread of hot
weather may send you rushing to the seaside, where you then spend the
day in a sun temperature of a hundred and twenty-five. You burn your
skin. Or you exhaust yourself getting to the top of a mountain--where
the unfamiliar and unseasonable coolness sets you sneezing with a cold.
I have observed that millions of people who are obliged to live in
temperatures of ninety seem to do so with tranquillity and this is the
message my cortex has delivered, not as gospel--not as the authority
for a trance--but as submitted opinion. I have sent my brains the
opposite message, in North Dakota, in the winter, with similarly good
result.
The latitudes of tolerance are immense. The uses people make of
them are meager. They pant too much on hot days, shiver too much on
cold. About God and science, sex and business, they have hypnotized
themselves to the great benefit, they think, of that bright, running
dot of conscious vanity called "I." Even asleep, they finally hear
little but the repetition of their own opinion. It becomes the one
voice on earth--God's, of course.
The point here is--I liked the warm day.
But liking is another poor, irrelevant expression. What did it matter,
now, whether I liked, disliked, or snored with apathy?
The elevator gnashed its teeth.
I entered the green-walled room and took off all my clothes but my
shorts. I unpacked the typewriter-paper box that held the pages of my
serial. I set up a card table and put my portable machine on a corner
of it. I gathered up cigarettes, an ashtray, Kleenex for my spectacles,
pencils, and my pen.
I had used the soft hair, high breasts and haunted eyes of--of what
in hell was her name?--Yvonne Prentiss--as a barricade. Now, it
dissipated. The sad look in her eyes was gone; her smile, like the
Cheshire Cat's--that was gone. And the Ghoul came out from where it had
been.
I had expected it would.
I said hello to the Ghoul.
I knew the bastard.
George T. Death.
Public-domain text, read in full here on John Shaqi.
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