Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
The analgesia was absorbing, or it had been absorbed. My throat felt
as if a tack were stuck in it. A stinging sensation--hardly noticeable
(to the properly-hypnotizing cortex). One could scarcely expect a
lavish use of clinical techniques for blocking off the mere prick of a
biopsy. Still--it would be inconvenient to be reminded by my own flesh,
prematurely, of what it had fallen heir to. There was stir enough in my
gray matter on the topic, already; no additional goad was needed.
We death-dreaders--we victims of the marvels of science--souped up to
the last ganglion by every advertisement, billboard, radio commercial,
lecture, and editorial--by damned near every syllable we read or
hear--to live to enjoy things (rather than to stand ready to die for
the sake of ideas) are poorly prepared for carcinoma--for whatever your
equivalent may be.
Or--was I afraid, not so much of dying as of the manner?
Get busy, I said to myself; you'll have plenty of time to savor these
notions.
Or--was I even afraid? Shocked, rather?
Work.
There's the drug you need, boy.
I lay back on the divan, smoking.
George T. Death. I knew him of old.
In several guises.
I remembered the year I was ten, the year I had appendicitis, then
peritonitis, then general blood poisoning. Sometimes, at night, the
pain of my body, the pain of my tube-filled, pus-lathered guts will
come back to me. And the smell. The fever. The thirst. They didn't
believe in giving you liquids, then--not any--and I know what it's like
to be on the Sahara without a drop to drink--and your viscera opened
up, in the bargain.
I know.
Father came to the hospital during one of the spells of consciousness.
His eyes were desperately gentle. "How's the fight, son?"
"Am I going to die?"
"You're pretty sick, son."
I laughed a little with my curdled belly. Too soon to answer, _You're
telling me._ Nineteen-twelve. That was what I meant.
"But--will I die?"
His tender passion became tenderer still. "Would you be afraid to, son?"
"No."
"Do you believe in God?"
"Of course."
"Want to live--still?"
_Still_, he had said. He could see--what I could only feel.
"Yes."
"Then--fight."
That time I looked right smack into George T. Death's eye sockets and
fought. But I was a kid then--and kids are brave if they have brave
parents.
In some ways, my father is the bravest man I've ever known; in others,
a coward. Who's different?
Who's different without being more coward?
There was the time in Warsaw.
My half brother Ted and I had finished our tour of Russia and come
shaken across the Polish frontier--like two unconvinced readers of
Dante who had gone there ourselves to be sure which part was poetry
and which was accurate reporting. We found out. Our Dante was a good
journalist.
Public-domain text, read in full here on John Shaqi.
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