Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
In the blazing forenoon our car was shunted onto a siding and the Red
Army soldiers--its only other occupants--marched away. Nothing was in
sight but the sparse wheat of the Ukraine and its scalding mirages. We
waited--with our thirst. Hung-over, desperate. Another train finally
picked up our car and we went on--at the galling pace of communist
transportation.
I found the carafe of water in the toilet--where no water had been
before. Recklessly, tremblingly, we drank it--equally dividing the
thankful drops. And late that day, without further ado, we crossed the
border to the relaxation, the seeming luxury, the comparative freedom
of Poland.
It was some days later, in the Palace Polonia Hotel, in Warsaw, when I
woke with the cramps in my belly and legs. With a climbing fever.
Time spun--hours commingled in the familiar wastes of pain. I knew
belly-fire. I did not know my legs could hurt so hideously or curl up
against my will. I lay vomiting, fainting, crawling to the bathroom and
there, too weak to lift myself, pouring out rice water. Areas of my
skin turned purple.
Ted, untouched by an affliction neither of us recognized, took care of
me. On the fourth day he brought a doctor and a nurse. On the fifth, I
was briefly better.
That evening, on my insistence, he left me for the first time since I'd
fallen sick.
He came back to the hotel alone, late, and sober--for he talked awhile
with the concierge. He went to his room--beside the one where I lay
ill--and opened the French windows, apparently to stare at Warsaw
in the vermilion dawn. They found him on the sidewalk five floors
below--dead.
When the consul came to see me, and the pleasant young men from the
embassy, we were unable to make out what had happened. Had he stepped
too far out? Climbed up on the roof for a better view? Had the
concierge mistaken his condition and had he lost his balance? Jumped?
Or had he been pushed--in the fashion of political assassins who pursue
their foes into other nations so as to conceal their bloody reach?
We can never know.
The embassy and the consulate thought he was murdered.
And when I told Tom, my friend and doctor, the step-by-step progress of
the first phase of my sudden sickness--when I remembered the thirst and
the miraculous appearance of a carafe of water--Tom said, "I think you
had cholera. It could have been in the water. Some people are immune to
it. Maybe Ted was."
Maybe.
He was not immune to a five-story fall onto a cement sidewalk.
What matter?
Ted was dead.
I sent the cables.
And the second phase of my illness began. The swelling joints, the
atrophy of muscles, the inflammation of nerves, the--why go into it?
They sent to the largest institute for the best specialist in whatever
this sequel might be.
And there was G.T. Death again.
The specialist seemed seven feet tall--a skinny man--who wore such
a mustache as only the Poles can grow. He sat on my bed after the
torturesome examination and told me about it, in French.
Public-domain text, read in full here on John Shaqi.
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