Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
In Tiflis, after too much vodka, in the biggest, best restaurant where
the rats were so bold they would sit under your table and nibble your
crumbs and run off a little way if you took the trouble to skid your
feet at them--in Tiflis, where every kind of man goes by on the street,
Negro and Turk, redhead and ash-blond, because every kind of man has
poured through the Caucasus for thousands of years on the way to
conquer Europe or the way back in conquest of Asia--in purple-walled
Tiflis where the archeological strata are as clear as the story of
the stones in a cross-cut syncline and bare human feet have drilled
deep paths in the rock floor of the old Roman baths--in Tiflis where
Persians still sit cross-legged on tables and play what Ted called
snake-charmer music on bulbous pipes--we talked too much.
We drank too much and talked too much--to a dozen tourists who sat
about the big table, waiting for their late dinner--waiting an hour or
two, as you do in Russia. Tourists who, for the most part, had come
from France, Germany, England, and the United States so pre-entranced
with communism, so ignorant of farming and industrial process, so
self-blinded to horror and despair as to imagine, even after seeing
some of it, that the Soviet Experiment offered hope to any man. Not
being blind--being noncommittal at the outset--we had seen better.
Wait till we get home, Ted and I told them.
We'll put the truth in America's magazines.
Police state. Prison. Human abattoir. Endless steppes of horror.
Perversion of the mind. Destruction of the spirit. A factory of torture
to keep the factories running. Hunger and helpless hatred. Dirt.
The old, old, old abomination in new clothes: tyranny.
We'll tell them.
It began, after that.
The GPU men everywhere we went--pretending they spoke no English and
reddening when Ted and I blasphemed and insulted them in their hearing.
The trip to the tea plantation in Batum--on a bus that deposited its
other passengers and started up a series of hairpin turns--with a
driver and Ted and myself on board. The slide--the driver jumping out.
Ted and I jumped, too--but the bus didn't go over the cliff. It merely
caught on the edge and hung there. (Was the driver chagrined because it
failed to go over--or because we jumped also--or because he had steered
so incompetently? How could you tell?)
Odessa.
The bartender offered us a bottle of Scotch--the first we'd seen in the
long, grim way from Leningrad. We drank some and gave the rest away.
And took the night train for Shepatovka, exulting in the thought that
we would never see the UCCP again, come the morrow.
There was no water on the train.
All night, we turned on the hard boards.
Public-domain text, read in full here on John Shaqi.
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