Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
Paul lifted his glass to the girl. She smiled at him warmly--with love,
I suppose. What kind? It was a look of gratitude. A certain composition
of her features. I compared that expression with the casual,
collegiate, young-woman-of-the-world wave she had once given me from
Dave Berne's double bed. A high-spirited, working-prostitute salute.
Some part of her conscience was grateful to Paul for taking her
out of professional circulation. She was, I presumed, a girl with
a good deal of courage--and one with taste. A sensitive girl who
could--still--accommodate her mind to the objective risks of her trade.
But the attitudes of many men toward her would not be acceptable. To
face them, she would have to sell pieces of her inner person. Paul had
rescued her from that and her eyes thanked him.
But, far more, Marcia's face expressed a maternal sentiment--warm
and enveloping. He was, in a sense, her baby. Emotionally immature,
romantic, and hence naïve, he had taken her for what she was not.
She had played up to his assumption as an older woman to a child. In
seducing him, she had seduced herself. She had adopted him as the
symbol of the values she had discarded, the values that were now most
precious to her because they were lost.
When I thought that over, I realized it was the point of extreme hazard
in their relationship. Not social pressures, but the pressures of
emotions--of instincts of which neither was conscious--would be the
explosive condition of their two lives. The dangerous day would be the
day when he matured sufficiently to dissociate the need to love from
the need to be loved. In her case, the time would come then, too--when
he demanded no more mothering in bowels or brain or heart. But it might
come sooner--when she tired of that one function, or extended it, or
spoiled its object, or devoured it, or cast it out for its own good.
For neither man nor woman can possess without being possessed, or
consume without being consumed, and whether the process involves an
object or another person, not to know the way of it and not to abide by
the way is to be destroyed by it.
The lunch went along badly.
My habit of apostrophe and tirade, which usually fills such hollows
as occur in talk--and forces its way, sometimes, beyond those decent
opportunities--seemed inappropriate here. They had been depressed by
what I had already said about the world. I guessed that, along with
worries, they had hoped the visit would elicit an avuncular gaiety.
They were young and in love, they thought, and should get from their
elders the jocose disposition reserved for young love. I felt some of
their expectancy, at any rate, and it only inhibited my rhetoric.
Public-domain text, read in full here on John Shaqi.
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