Women -- Asia -- History; Women -- Middle East -- History
Among the many notable women of Israel's heroic age, Miriam must not be
forgotten. The romantic story of the hiding of her infant brother, in
the rushes of the Nile, when King Pharaoh would have destroyed every
Hebrew boy, is a familiar chapter. The sisterly tenderness and devotion
which stationed the girl of twelve years to watch what might happen to
the infant brother, to fight away wild beasts, and at length to direct
the living treasure to the bosom of its own mother, is one of the best
examples in literature of womanly tact and sisterly devotion.
The daughter of Pharaoh, a child of the Nile, comes down to the sacred
stream to wash her garments or bathe her body in the saving water, and
quickly, indeed quite willingly, falls into the well-wrought plan of
Jokabed, the mother of the child Moses, and Miriam, the sister--a
counterplot to that of the princess's father, and so ancient history is
written with new headlines.
It is Miriam who enjoys the distinction of being the first prophetess
in Israel, as her brother Moses is the first who was called a prophet,
and her brother Aaron the first high priest. The part she took in
leading the intractable people of Israel out of Egyptian bondage into
the land of the Canaanites, must have been considerable, though
according to the record she was nearing the century mark before the
journeying began. As a poetess and musician, also, Miriam holds no mean
place, for we are told that when her people had successfully crossed the
arm of the sea, and Pharaoh's pursuing hosts had been cut off in the
descending floods, Miriam organized the women into a chorus, and going
before them with timbrel in her hand she led in voicing the refrain sent
back in antiphonal strains to the song of the great camp, while her
companions followed with timbrels and dances. This aged woman had music
and patriotic fervor still present in her soul, as victory was assured
to her people. The Hebrew song that grew out of this incident which is
recorded in the Book of Exodus has been termed "Israel's Natal Hymn," a
sort of poetic Declaration of Independence, and is far more majestic in
its qualities than Moore's poem based upon the same event:
"Sound the loud timbrel; O'er Egypt's dark sea
Jehovah hath triumphed--His people are free."
By a singular confusion, the Koran identifies Miriam, sister of Moses,
with Mary, the mother of Jesus. This may be partly due to the fact that
the New Testament Scriptures as well as the Septuagint Greek translation
of the Old spell both names alike, "Miriam."
Public-domain text, read in full here on John Shaqi.
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