[Footnote 1: VYVYAN HOLLAND, _Hand Coloured Fashion Plates_, 1770-1899 (Boston: Boston Book and Art Shop, Inc., 1955).] [Footnote 2: ALESSANDRO PICCOLOMINI, _Dialogo de la bella creanza de le donne_ (Venice, 1540). The dialogue is reprinted in G. ZONTA, _Trattati del Cinquecento sulla donna_ (1913), but it deserves a modern translation and editing.] [Footnote 3: SIR HENRY HAKE, “The English Historic Portrait.” Lecture for the British Academy, 1943.] [Footnote 4: MALCOLM LETTS, _The Diary of Jörg von Ehingen_ (1929).] [Footnote 5: SIGRID F. CHRISTENSEN, _Die männliche Kleidung in der süddeutschen Renaissance_ (1934), pl. 21.] [Footnote 6: Sir KARL T. PARKER, _The drawings of H. Holbein at Windsor Castle_ (1945), pls. 16, 19, 24.] [Footnote 7: This book, _Klaidungsbüchlein_, in the Herzog Anton-Ulrich Museum, Brunswick, Germany, was edited by August Fink and published in full in 1963 by the Deutscher Verein für Kunstwissenschaft, Berlin.] [Footnote 8: For a general account, see J. L. NEVINSON, “Sigmund von Herberstein: Notes on 16th century dress,” _Zeitschrift der Gesellschaft für historische Waffen- und Kostum-Kunde_ (1959), new ser. 1, p. 86.] [Footnote 9: SIGMUND VON HERBERSTEIN, _Gratae Posteritati_ . . . (Vienna, 1560).] [Footnote 10: SIGMUND VON HERBERSTEIN, _Rerum Moscoviticarum Commentarii_, expanded ed. (Basel: Oporinus, 1556).] [Footnote 11: JUAN DE ALCEGA, _Libro di geometria y traca_ (1589). See also, _Tailor and cutter_ (London, 1933), no. 68. A copy of the 1588 edition was acquired by the Folger Shakespeare Library, Washington, D.C., in 1964.] [Footnote 12: “Supplication to the King.” Printed by the Early English Text Society, extra ser. (1871), p. 52.] [Footnote 13: _Letters and Papers of Henry VIII_, vol. 1 (2), on. 3326.] [Footnote 14: ANDREW BOORDE, _Fyrst Boke of the Introduction of Knowledge_ (1542). Reprinted by the Early English Text Society, extra ser., vol. 10 (1870), p. 116.] [Footnote 15: _Recueil de la diversité des habits_ . . . (1562). The book was reissued in 1564 and 1567.] [Footnote 16: Translated, this reads: “. . . our predecessors of old . . . were more careful about sumptuous dress than rare virtue . . . for as the monk was recognized by his frock, the jester by his cap, and the soldier by his arms, so the wise man was known by his moderate habit.”] [Footnote 17: A. M. HIND, _Engraving in England in the 16th and 17th centuries_ (Cambridge: Cambridge University Press, 1952), vol. 1, pl. 34.] [Footnote 18: F. BERTELLI, _Omnium fere gentium nostrae aetatis habitus_ . . . (Venice, 1563).] [Footnote 19: For the origin of this Spanish fashion in 1470, see CARMEN BERNIS MADRAZO, _Indumentaria medieval espanola_ (1956), p. 50, pl. 158.]