[Footnote 20: There are two editions of the book by CESARE VECELLIO: _De gli habiti antichi e moderni_ . . . (Venice: Zenaro, 1590 [Italian text]); _Habiti Antichi e Moderni_ (Venice: Sessa, 1598 [Italian and Latin text]). The quality of the woodblocks and impressions varies considerably.] [Footnote 21: Translated, this reads: “Underneath, the habit of the ladies [who imitate the Duchess] is to wear the farthingale or pleated frock, which skillfully holds the petticoat out wide like a bell. This fashion is extremely convenient for walking or dancing, and nowadays, ladies throughout all Italy wear this pleated frock mentioned above.” (1590 ed., folio 187.a.)] [Footnote 22: Translated, this reads: “The originator of these beautiful fabrics in Venice is Master Bartholomew Bontempele at the sign of the ‘Chalice.’ From time to time at exhibitions he makes of these materials he has created, he shows the greatness of his intellect, which is accompanied by an incomparable generosity and kindness for which he is greatly loved by the Venetian nobility, by many princes of Italy, and in particular by his Serene Highness the Duke of Mantua. In his store, to which many gentlemen and princes send orders, even the Seraglio of the Grand Turk, are to be seen brocades worked in all manners of gold and silver.” (1590 ed., folio 139.)] [Footnote 23: There is an excellent reprint of Buytewech’s book with an introduction by W. BRUHN (1926).] [Footnote 24: C. LE BLANC, _Manuel de l’amateur des estampes_ (1854), no. 549-560.] [Footnote 25: For examples, see A. BLUM, _L’oeuvre gravé de Abraham Bosse_ (1924), nos. 957-961; the plate “Pompe funèbre de la Mode,” by A. BLUM (in _Les Modes au XVIIme siècle_, 1927), p. 21; and F. P. WILSON, “Funeral obsequies of Sir All-in-new-fashions” (in _Shakespeare Survey_, 1958), p. 98.] [Footnote 26: J. L. NEVINSON, “Fashion Plates and Fashion, 1625-35,” _Apollo_ (1950) vol. 51, pp. 138-140.] [Footnote 27: GUSTAVE PARTHEY, _Kurzes Verzeichniss der Hollarschen Kupferstichen_ (1853), nos. 606-609.] [Footnote 28: GUSTAVE PARTHEY, _Kurzes Verzeichniss der Hollarschen Kupferstichen_ (1853), nos. 1908-12, 1930-33.] [Footnote 29: PARTHEY, ibid., nos. 1946-51.] [Footnote 30: JOHN EVELYN, _Tyrannus or the Mode_ (1661). Facsimile reprint with introduction by J. L. NEVINSON (Oxford: Luttrell Society, 1951), no. 11.] [Footnote 31: E. S. DE BEER, “King Charles II’s own fashion,” _Warburg Institute Journal_ (1935), vol. 2, no. 2, p. 105.] [Footnote 32: Translated, this reads: “. . . nothing is more pleasing than the styles born in France . . . . This is why much relating to dress is imported from France into all the provinces of the world, though the final dress is not exactly French.”]