“We started out and soon found ourselves there. It was a wide, fine-looking street, on the outskirts of the town. I looked at the houses and I noticed No. 17. It was a large house with a garden behind it. The facade, decorated with frescoes, in the Italian style, appeared to me as being in bad taste. There were goddesses holding vases, others swathed in clouds. Two stone cupids supported the number of the house. “I said to the treasurer: “'Here is where I am going.' “I held my hand out to him. He made a quick, strange gesture, said nothing and shook my hand. “I rang. A maid appeared. I asked: “'Monsieur Patience, if you please?' “She answered: “'Right here, sir. Is it to monsieur that you wish to speak?' “'Yes.' “The hall was decorated with paintings from the brush of some local artist. Pauls and Virginias were kissing each other under palm trees bathed in a pink light. A hideous Oriental lantern was ranging from the ceiling. Several doors were concealed by bright hangings. “But what struck me especially was the odor. It was a sickening and perfumed odor, reminding one of rice powder and the mouldy smell of a cellar. An indefinable odor in a heavy atmosphere as oppressive as that of public baths. I followed the maid up a marble stairway, covered with a green, Oriental carpet, and was ushered into a sumptuous parlor. “Left alone, I looked about me. “The room was richly furnished, but in the pretentious taste of a parvenu. Rather fine engravings of the last century represented women with powdered hair dressed high surprised by gentlemen in interesting positions. Another lady, lying in a large bed, was teasing with her foot a little dog, lost in the sheets. One drawing showed four feet, bodies concealed behind a curtain. The large room, surrounded by soft couches, was entirely impregnated with that enervating and insipid odor which I had already noticed. There seemed to be something suspicious about the walls, the hangings, the exaggerated luxury, everything.