Oriole's daughter, a novel, Volume 3 (of 3)Fothergill, Jessie
General
Oriole's daughter, a novel, Volume 3 (of 3)
Fothergill, Jessie
Fathers and daughters -- Fiction; Illegitimate children -- Fiction; Married women -- Fiction; Rome (Italy) -- Fiction
To Casa Dietrich that night the signora had returned, had summoned him
to her rooms, and had told him that Marchmont had spoken to her about
Fulvia, and that she intended to marry her to him. She had told him
with the most accurate foreknowledge of the horror it would inspire in
him; she had listened with smiling obstinacy to all his expostulations,
reproaches and accusations, and had then told him:
‘You have yourself to thank for it. You have known for many years that
I was not a woman to be played with with impunity. You have refused my
reasonable wishes and demands; you must not be surprised and angry that
when the time comes I act in the manner most convenient to my interests
and to those of my daughter. Mio caro, I have waited a long time for
freedom. This man offers it to me--freedom and independence. I shall
take it. You can do what you like.’
‘You say I played with you!’ he exclaimed. ‘And you--what have you done
with me? You say I have myself to thank for it all; and you--whom have
you to thank, that you are now in this position, that you must sell
your child disgracefully to get what you call your freedom? Bianca,
give the child to me. I will work for her; I will provide for her. She
shall be no burden to you.’
Bianca had laughed.
‘And I?’ she asked. ‘My daughter is no burden to me. She is the most
valuable piece of property I have. No; I have made up my mind. Do not
trouble yourself in the matter. It is all right.’
All this scene came back to him with the utmost vividness as he stood
there in this English house, looking forth upon this English park, with
the fresh damp English air blowing upon his forehead and face. He felt
it not.
He was again steeped in a totally different atmosphere, in the soft,
deliciously enervating air of Rome--the odour of the streets, of the
houses; that peculiar, half-pungent, half-debilitating perfume which
assails the senses there, and bathes them, and takes them captive,
pervading everything, and which is like no other atmosphere in the
world--this ichor he felt and imbibed now, and it was like new life to
him.
The past, dark and mysterious beyond all words to describe, with its
processions of Caesars, its armies of trained fighting men, its dream
of fair women of every shade of vice and virtue, its holocausts of
human victims--the blood-soaked, sun-soaked, art-soaked past; the
vivid, noisy present, full of life and action, of battles fought and of
grand hope for the future, in which his life had been passed--all these
were summed up and concentrated as it were in that wondrously scented
air of Rome, and in Rome he now was, with a fever in his veins, a
passion of longing which tore his heart-strings, parted his lips, and
drew from his heart a slight sound, between a groan and a sigh.
‘Dahin, dahin geht unser Weg--
O Vater, lass’ uns zieh’n!’
Not Mignon’s words, but Mignon’s thought was in his heart.
Public-domain text, read in full here on John Shaqi.
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