Oriole's daughter, a novel, Volume 3 (of 3)Fothergill, Jessie
General
Oriole's daughter, a novel, Volume 3 (of 3)
Fothergill, Jessie
Fathers and daughters -- Fiction; Illegitimate children -- Fiction; Married women -- Fiction; Rome (Italy) -- Fiction
‘I must go. I must breathe that air once again before I die--all the
agony and all the rapture of it. I must pace those streets again, and
feel those stones beneath my feet, though every one were a burning coal
that blistered them.’
The air blew in upon him in a rougher gust, both keen and damp, from
the mountains of the North and her wild wastes of moorland; from her
gray, monotonous sea, ‘the unplumbed, salt, estranging sea,’ and the
nerves of the man of the South shuddered under its alien breath. It
had awakened him from his dream; he opened his eyes and brought his
thoughts once more to reality.
He laid his hand on the window to push it to, and as he did so it
seemed to him that there was a slight sound outside it. Not a sound
whose nature he could have specified--not a sigh, not a groan or a sob,
and certainly not a cry or a spoken word, but perhaps something of
them all. Nothing deterred by the eeriness of the thing, for he knew
not fear, he drew the window more widely open, instead of closing it,
and looked forth again. The scene had become even more beautiful than
before. Arrested, he still looked, half gazing at the view before him,
half listening for that indescribable sound to come again, when his
eyes, long-sighted and keen, detected at some little distance from the
house, moving hesitatingly and uncertainly along, and emerging from the
shadow of the wood into the moonlit grass, a slight, ink-black woman’s
figure. It paused suddenly, and perhaps turned. Of that he could not
be sure in the uncertain light, but the figure was there. It moved
about now quickly, now slowly. Now it looked as if its head were bowed;
again, as though its face were raised; and once certainly it stretched
its arms out with the gesture of one who wrings hands in dire distress.
Signor Giuseppe stood riveted to his place, not in the least afraid,
but very curious. Now the figure had disappeared again into the shadow
of the wood. He saw it no more, though he strained his eyes to discover
it. He stood for some time, and was about to turn away--so dense are
our outward senses, so doth this envelope of flesh conceal one spirit
from another, though that other may be calling upon us, with agony
unspeakable to bear, to help and to comfort.
Thus he stood, when, coming from his right hand, from under the shadow
of the house, the figure in one second stood immediately in front of
him, with the light of the lamp from within falling full upon its face.
That face was very pale, very drawn, very much worn with anguish and
pain; the eyes which plunged themselves into his were haggard and
glazed, and weary beyond description.
It was Fulvia’s face; those were Fulvia’s eyes, and Fulvia’s hands they
were which were suddenly stretched out towards him; but it was no voice
he had ever heard before which, in a hoarse, broken whisper, groaned
forth:
‘Father!’
Public-domain text, read in full here on John Shaqi.
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