Our Intellectual Strength and Weakness: A Short Historical and Critical Review of Literature, Art and Education in Canada — John Shaqi
Our Intellectual Strength and Weakness: A Short Historical and Critical Review of Literature, Art and Education in CanadaBourinot, John George
History
Our Intellectual Strength and Weakness: A Short Historical and Critical Review of Literature, Art and Education in Canada
Bourinot, John George
Canada -- Intellectual life; Canadian literature -- History and criticism; French-Canadian literature -- History and criticism
Benjamin Sulte, a
member of this society, has also given us the results of many years of
conscientious research in his "Histoire des Canadiens," which is not
so well known as it ought to be, probably on account of its cumbrous
size and mode of publication.[36] The Abbé Casgrain, also a member
of the society and a most industrious author, has recently devoted
himself with true French Canadian fervour to the days of Montcalm
and Lévis, and by the aid of a large mass of original documents has
thrown much light on a very interesting and important epoch of the
history of America.[37] Dr. Kingsford with patience and industry has
continued his history of Canada, which is distinguished by accuracy
and research.[38] It is not my intention to enumerate all those names
which merit remark in this connection, for this is not a collection
of bibliographical notes,[39] but simply a review of the more salient
features of our intellectual development in the well-marked periods
of our history. Indeed it is gratifying to us to know that the Royal
Society comprises within its ranks nearly all the historical writers in
Canada, and it would seem too much like pure egotism were I to dilate
on their respective performances. Of poets since the days of Crémazie
we have had our full proportion, and it is encouraging to know that the
poems of Fréchette,--whose best work has been crowned by the French
Academy,--LeMay, Reade, Mair, Roberts, Bliss Carman, Wilfred Campbell
and Lampman have gained recognition from time to time in the world of
letters outside of Canada.[40][B] We have yet to produce in English
Canada a book of poems which can touch the sympathies and live on the
lips of the world like those of Whittier and Longfellow, but we need
not despair since even in the country which gave these birth they have
not their compeers. Some even declare that the only bard of promise who
appears in these days to touch that chord of nature which makes the
whole world kin is James Whitcomb Riley, the Hoosier poet, despite his
tendency to exaggerate provincial dialect and make his true poetic
genius too subordinate to what becomes at last an affectation and a
mere mannerism which wearies by its very repetition. Even in England
there is hesitation in choosing a poet laureate; there are Swinburne,
Morris and other poets, but not another Tennyson, and it has been even
suggested that the honour might pass to a master of poetic prose,
John Ruskin, whose brilliant genius has been ever devoted to a lofty
idealism which would make the world much happier and better. At the
present time Canadian poets obtain a place with regularity in the best
class of American magazines, and not infrequently their verse reaches
a higher level than the majority of poetic aspirants who appear in
the same field of poetry; but for one I am not an ardent admirer of
American magazine poems which appear too often mere machine work and
not the results of that true poetic inspiration which alone can achieve
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