British -- France -- Fiction; France -- History -- Revolution, 1789-1799 -- Fiction; Historical fiction
“But, yes, I say. Open the gate, Nicette. And for what is this great
heap of fodder?”
“It is for my beautiful _génisse_--Madeleine of the white star.”
She pushed open the gate. Within, to one side, was a low trellised
lodge, set within the forward apex of an elliptical patch of garden.
Farther back was a byre, and behind all a lofty bank of trees. A fine
avenue of Spanish chestnuts led on to the house, which was here hidden
from view.
“Whither?” said Ned.
She intimated the rearward shed, with a half-audible note of
deprecation. He shouldered and carried the truss to its destination.
A liquid-eyed cow, with a rayed splash of white on its forehead, blew
a sweet breath of wonder as he entered. Within, all was daintily clean
and fragrant.
“Now,” said he, “I must go on to the chateau. But I shall come again,
Nicette, and paint you into a picture.”
The girl stood among the phloxes utterly embarrassed. He made her a
grave salutation and pursued his way to the house. At a turn of the
drive he came in view of the latter--a sombre grey building, sparely
windowed, and with a peak-roofed tower--emblem of nobility--caught
into one of its many angles. A weed-cumbered moat, with a little
decrepit stream of water slinking through the tangle of its bed,
surrounded the walls; and in front of the moat, as he encountered it,
a neglected garden fell away in half-obliterated terraces. Here and
there, placed in odd coigns of leafiness, decayed wooden statues of
fauns and dryads, once painted “proper”--or otherwise--in flesh tints,
had yielded their complexions piecemeal to the rasp of Time; and,
indeed, the whole place seemed withdrawn from the considerations of
order.
Much wondering, Ned crossed an indifferent bridge--long ceased, it
would appear, from its uses of draught--and found himself facing the
massive stone portal of the chateau.
“There is a canker hath gnawed here since my uncle’s day,” thought he,
and laid hold of a long iron bell-pull. The thing came down reluctant,
and leapt sullenly from his grasp, and the clank of its answer called
up a whole mob of echoes.
The door was opened by an unliveried young fellow--a mere peasant of
the fields by his appearance.
“M. de St Denys? But, yes; monsieur would be at home to
receive--unless, indeed, he were not yet out of bed.”
Ned recalled a figure prostrate on the wreck of a guitar.
“Convey this letter to your master,” said he; “and show me where I may
wait.”
He entered a high, resounding hall. A boar’s head set at him from
above a door in a petrified snarl. Opposite, a great dark
picture--fruit, flowers, game--by Jan de Heem, made a slumberous core
of richness in the gloom. These, with a heavy chair or two, were the
only furniture.
Public-domain text, read in full here on John Shaqi.
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