Our Mr. Wrenn: The Romantic Adventures of a Gentle ManLewis, Sinclair
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Our Mr. Wrenn: The Romantic Adventures of a Gentle Man
Lewis, Sinclair
Courtship -- Fiction; Love stories; Man-woman relationships -- Fiction; Middle-aged men -- United States -- Fiction
He waited, panting softly, his lips apart. This was to be the first
time he had ever seen Nelly’s room. She opened the door part way,
smiling shyly, timidly, holding her pale-blue dressing-gown close. The
pale blueness was a modestly brilliant spot against the whiteness of
the room—white bureau, hung with dance programs and a yellow Upton’s
Grove High School banner, white tiny rocker, pale-yellow matting,
white-and-silver wall-paper, and a glimpse of a white soft bed.
He was dizzy with the exaltation of that purity, but he got himself to
say:
“I’m kind of stuck on the first part of the play, Miss Nelly. Please
tell me how you think the heroine would speak to her dad. Would she
call him ‘papa’ or ‘sir,’ do you think?”
“Why—let me see—”
“They’re such awful high society—”
“Yes, that’s so. Why, I should think she’d say ‘sir.’ Maybe oh, what
was it I heard in a play at the Academy of Music? ‘Father, I have come
back to you!’”
“Sa-a-ay, that’s a fine line! That’ll get the crowd going right from
the first…. I _told_ you you’d help me a lot.”
“I’m awfully glad if I _have_ helped you,” she said, earnestly. Good
night—and good, “awfully glad, but luck with the play. Good night.”
“Good night. Thank you a lot, Miss Nelly. Church in the morning,
remember! Good night.”
“Good night.”
As it is well known that all playwrights labor with toy theaters before
them for working models, Mr. Wrenn ran to earth a fine unbroken
pasteboard box in which a ninety-eight-cent alarm-clock had recently
arrived. He went out for some glue and three small corks. Setting up
his box stage, he glued a pill-box and a match-box on the floor—the
side of the box it had always been till now—and there he had the
mahogany desks. He thrust three matches into the corks, and behold
three graceful actors—graceful for corks, at least. There was
fascination in having them enter, through holes punched in the back of
the box, frisk up to their desks and deliver magic emotional speeches
that would cause any audience to weep; speeches regarding which he knew
everything but the words; a detail of which he was still quite ignorant
after half an hour of playing with his marionettes.
Before he went despairingly to bed that Saturday night he had added to
his manuscript:
_Mr. Thorne_ says: Here are the papers, sir. As a great railway
president you should—
The rest of that was to be filled in later. How the dickens could he
let the public know how truly great his president was?
(_Daughter, Miss Nelly, comes in._)
_Miss Nelly:_ Father, I have come back to you, sir.
_Mr. Warrington:_ My Daughter!
_Nelly:_ Father, I have something to tell you; something—
Public-domain text, read in full here on John Shaqi.
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