Out-of-Doors in the Holy Land: Impressions of Travel in Body and Spirit — John Shaqi
Out-of-Doors in the Holy Land: Impressions of Travel in Body and SpiritVan Dyke, Henry
Religion
Out-of-Doors in the Holy Land: Impressions of Travel in Body and Spirit
Van Dyke, Henry
Authors, American -- 20th century -- Biography; Palestine -- Description and travel; Van Dyke, Henry, 1852-1933 -- Travel -- Palestine
The crowd melts away, chattering down the road; it forms again, from
another quarter, and again dissolves. Meaningless shouts and cries and
songs resound from the hidden city. In the gypsy camp beside us insomnia
reigns. A little forge is clinking and clanking. Donkeys raise their
antiphonal lament. Dogs salute the stars in chorus. First a leader, far
away, lifts a wailing, howling, shrieking note; then the mysterious
unrest that torments the bosom of Oriental dogdom breaks loose in a
hundred, a thousand answering voices, swelling into a yapping, growling,
barking, yelling discord. A sudden silence cuts the tumult short, until
once more the unknown misery, (or is it the secret joy), of the canine
heart bursts out in long-drawn dissonance.
From the road and from the tents of the gypsies various human voices are
sounding close around us all the night. Through our confused dreams and
broken sleep we strangely seem to catch fragments of familiar speech,
phrases of English or French or German. Then, waking and listening, we
hear men muttering and disputing, women complaining or soothing their
babies, children quarrelling or calling to each other, in Arabic, or
Romany--not a word that we can understand--voices that tell us only that
we are in a strange land, and very far away from home, camping in the
heart of a wild city.
II
OVER THE BROOK JABBOK
After such a night the morning is welcome, as it breaks over the eastern
hill behind us, with rosy light creeping slowly down the opposite slope
of houses. Before the sunbeams have fairly reached the bottom of the
valley we are in the saddle, ready to leave Es Salt without further
exploration.
There is a general monotony about this riding through Palestine which
yet leaves room for a particular variety of the most entrancing kind.
Every day is like every other in its main outline, but the details are
infinitely uncertain--always there is something new, some touch of a
distinct and memorable charm.
To-day it is the sense of being in the country of the nomads, the
tent-dwellers, the masters of innumerable flocks and herds, whose wealth
goes wandering from pasture to pasture, bleating and lowing and browsing
and multiplying over the open moorland beneath the blue sky. This is the
prevailing impression of this day: and the symbol of it is the thin,
quavering music of the pastoral pipe, following us wherever we go,
drifting tremulously and plaintively down from some rock on the
hillside, or floating up softly from some hidden valley, where a brown
shepherd or goatherd is minding his flock with music.
Public-domain text, read in full here on John Shaqi.
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