Out-of-Doors in the Holy Land: Impressions of Travel in Body and SpiritVan Dyke, Henry
Religion
Out-of-Doors in the Holy Land: Impressions of Travel in Body and Spirit
Van Dyke, Henry
Authors, American -- 20th century -- Biography; Palestine -- Description and travel; Van Dyke, Henry, 1852-1933 -- Travel -- Palestine
What quaint and rustic melodies are these! Wild and unfamiliar to our
ears; yet doubtless the same wandering airs that were played by the sons
and servants of Jacob when he returned from his twenty years of
profitable exile in Haran with his rich wages of sheep and goats and
cattle and wives and maid-servants, the fruit of his hard labour and
shrewd bargaining with his father-in-law Laban, and passed cautiously
through Gilead on his way to the Promised Land.
On the highland to the east of Es Salt we see a fine herd of horses,
brood-mares and foals. A little farther on, we come to a muddy pond or
tank at which a drove of asses are drinking. A steep and winding path,
full of loose stones, leads us down into a grassy, oval plain, a great
cup of green, eight or ten miles long and five or six miles wide,
rimmed with bare hills from five to eight hundred feet high. This, we
conjecture, is the fertile basin of El Buchaia, or Bekaa.
Bedouin farmers are ploughing the rich, reddish soil. Their black
tent-villages are tucked away against the feet of the surrounding hills.
The broad plain itself is without sign of human dwelling, except that
near each focus of the ellipse there is a pile of shattered ruins with a
crumbling, solitary tower, where a shepherd sits piping to his lop-eared
flock.
In one place we pass through a breeding-herd of camels, browsing on the
short grass. The old ones are in the process of the spring moulting;
their thick, matted hair is peeling off in large flakes, like fragments
of a ragged, moth-eaten coat. The young ones are covered with pearl-gray
wool, soft and almost downy, like gigantic goslings with four legs.
(What is the word for a young camel, I wonder; is it camelet or
camelot?) But young and old have a family resemblance of ugliness.
The camel is the most ungainly and stupid of God's useful beasts--an
awkward necessity--the humpbacked ship of the desert. The Arabs have a
story which runs thus: "What did Allah say when He had finished making
the camel? He couldn't say anything; He just looked at the camel, and
laughed, and laughed!"
But in spite of his ridiculous appearance the camel seems satisfied with
himself; in fact there is an expression of supreme contempt in his face
when he droops his pendulous lower lip and wrinkles his nose, which has
led the Arabs to tell another story about him: "Why does the camel
despise his master? Because man knows only the ninety-nine common names
of Allah; but the hundredth name, the wonderful name, the beautiful
name, is a secret revealed to the camel alone. Therefore he scorns the
whole race of men."
Public-domain text, read in full here on John Shaqi.
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