Out of Mulberry Street: Stories of Tenement life in New York CityRiis, Jacob A. (Jacob August)
General
Out of Mulberry Street: Stories of Tenement life in New York City
Riis, Jacob A. (Jacob August)
New York (N.Y.) -- Fiction; Poor -- New York (State) -- New York -- Fiction; Tenement houses -- Fiction
"Come in, Antonio," says the tenant of the double flat,--the one with two
rooms,--"come and keep Christmas." Antonio enters, cap in hand. In the
corner by the dormer-window a "crib" has been fitted up in commemoration
of the Nativity. A soap-box and two hemlock branches are the elements. Six
tallow candles and a night-light illuminate a singular collection of
rarities, set out with much ceremonial show. A doll tightly wrapped in
swaddling-clothes represents "the Child." Over it stands a
ferocious-looking beast, easily recognized as a survival of the last
political campaign,--the Tammany tiger,--threatening to swallow it at a
gulp if one as much as takes one's eyes off it. A miniature Santa Claus,
a pasteboard monkey, and several other articles of bric-à-brac of the kind
the tenement affords, complete the outfit. The background is a picture of
St. Donato, their village saint, with the Madonna "whom they worship
most." But the incongruity harbors no suggestion of disrespect. The
children view the strange show with genuine reverence, bowing and crossing
themselves before it. There are five, the oldest a girl of seventeen, who
works for a sweater, making three dollars a week. It is all the money that
comes in, for the father has been sick and unable to work eight months and
the mother has her hands full: the youngest is a baby in arms. Three of
the children go to a charity school, where they are fed, a great help, now
the holidays have come to make work slack for sister. The rent is six
dollars--two weeks' pay out of the four. The mention of a possible chance
of light work for the man brings the daughter with her sewing from the
adjoining room, eager to hear. That would be Christmas indeed! "Pietro!"
She runs to the neighbors to communicate the joyful tidings. Pietro comes,
with his new-born baby, which he is tending while his wife lies ill, to
look at the maestro, so powerful and good. He also has been out of work
for months, with a family of mouths to fill, and nothing coming in. His
children are all small yet, but they speak English.
"What," I say, holding a silver dime up before the oldest, a smart little
chap of seven--"what would you do if I gave you this?"
"Get change," he replies promptly. When he is told that it is his own, to
buy toys with, his eyes open wide with wondering incredulity. By degrees
he understands. The father does not. He looks questioningly from one to
the other. When told, his respect increases visibly for "the rich
gentleman."
Public-domain text, read in full here on John Shaqi.
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