Out of Mulberry Street: Stories of Tenement life in New York CityRiis, Jacob A. (Jacob August)
General
Out of Mulberry Street: Stories of Tenement life in New York City
Riis, Jacob A. (Jacob August)
New York (N.Y.) -- Fiction; Poor -- New York (State) -- New York -- Fiction; Tenement houses -- Fiction
In "the Bend" the philanthropist undertaker who "buries for what he can
catch on the plate" hails the Yule-tide season with a pyramid of green
made of two coffins set on end. It has been a good day, he says
cheerfully, putting up the shutters; and his mind is easy. But the "good
days" of the Bend are over, too. The Bend itself is all but gone. Where
the old pigsty stood, children dance and sing to the strumming of a
cracked piano-organ propelled on wheels by an Italian and his wife. The
park that has come to take the place of the slum will curtail the
undertaker's profits, as it has lessened the work of the police. Murder
was the fashion of the day that is past. Scarce a knife has been drawn
since the sunlight shone into that evil spot, and grass and green shrubs
took the place of the old rookeries. The Christmas gospel of peace and
good-will moves in where the slum moves out. It never had a chance before.
The children follow the organ, stepping in the slush to the
music,--bareheaded and with torn shoes, but happy,--across the Five Points
and through "the Bay,"--known to the directory as Baxter street,--to "the
Divide," still Chatham street to its denizens though the aldermen have
rechristened it Park Row. There other delegations of Greek and Italian
children meet and escort the music on its homeward trip. In one of the
crooked streets near the river its journey comes to an end. A battered
door opens to let it in. A tallow dip burns sleepily on the creaking
stairs. The water runs with a loud clatter in the sink: it is to keep it
from freezing. There is not a whole window-pane in the hall. Time was
when this was a fine house harboring wealth and refinement. It has neither
now. In the old parlor down-stairs a knot of hard-faced men and women sit
on benches about a deal table, playing cards. They have a jug between
them, from which they drink by turns. On the stump of a mantel-shelf a
lamp burns before a rude print of the Mother of God. No one pays any heed
to the hand-organ man and his wife as they climb to their attic. There is
a colony of them up there--three families in four rooms.
Public-domain text, read in full here on John Shaqi.
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