Ten days increased rather than diminished this impression. By this time he had burned his thesis and was now making notes that were part the direct product of Spink's data and part the byproduct of Lutetia's own works. The syringas were beginning to run down; but the roses were coming out in great numbers. The hollyhocks had opened flares of color under the living-room window. The lawn was as close to plush as constant care could make it. The garden was not yet quite cleaned out. He was glad, for he liked working there. It was not a whit less friendly than the house. Indeed, he felt so companioned there that sometimes he looked up suddenly to see who was watching his efforts to resurrect a neglected rosebush; or to uproot a flourishing patch of poison ivy. The evenings were long, and as--consciously girlish and in quotation marks he wrote Spink--"lovely." His big lamp made a spot of golden color in the shadowy long room. One northeaster, which lasted three days, gave him dark and damp excuse for three days of roaring fire. Much of that time he sat opposite the blazing logs in the big, rush-bottomed piazza chair which he had purchased, smoking and reading Lutetia. Now and then, he looked up at Lutetia's picture, which he had finally brought down from his bedroom. Perhaps it was the picture which made him feel more companioned here than anywhere in the house or out. The living-room was peculiarly rich with presence, so rich that he left it reluctantly at night and returned to it as quickly as possible in the morning; so rich that often he smiled, though why he could not have said; so rich that in the evening he often looked up suddenly from his book and stared into its shadowy length for a long, moveless--and breathlessly expectant--interval. Indeed that sensation so concretely, so steadily, so persistently augmented that one evening-- He had been reading ever since dark; and it was getting late. Finally he arose; closed the door and windows. He came back to the table and stood leaning against it, idly whistling the _Sambre et Meuse_ through his teeth, while he looked at Lutetia's portrait. He took up _The Sport of the Goddesses_ just to look it over ... turned a page or two ... became immersed.... Suddenly ... he realized that he was not alone.... He was not alone. That was conclusive. That he suddenly and absolutely knew; though how he knew it he could not guess. His eyes stopped, in the midst of Lutetia's single grim murder, fixed on the printed line. He could not move them along that line. He did not mind that. But he could not move them off the page. And he did mind that; for he wanted--most intensely wanted--to lift his gaze. After lifting it, he presently discovered, he would want to project it to the left. Whoever his visitor was, it sat at the left. That he knew, completely, absolutely, and conclusively; but again, how he knew it, he did not know. An immeasurable interval passed.