There is an interesting recognition of this in Mill himself, (see his Autobiography, p. 142). And in his Utilitarianism, in discussing the feasibility of getting happiness, he shows (pp. 318-319) that the sources of happiness are an intelligent interest in surrounding things--objects of nature, achievements of art, incidents of history--and especially an unselfish devotion to others. Which is to say that man does not find satisfaction in pleasure as such at all, but only in objective affairs--that is, in complete interpretation, in activity with a wide and full content. Further consideration of the end of desire and its relation to pleasure may be found in Green, Op. cit., pp. 123-132; pp. 163-167. Bradley, Mind, Vol. XIII, p. 1, and Dewey, Psychology, pp. 360-365. XIV. Criticism--_Continued_. Character and Pleasure. It now being admitted that the end of desire is activity itself in which the 'object' and 'pleasure' are simply factors, what is the moving spring to action? What is it that arouses the mind to the larger activity? Most of the hedonists have confounded the two senses of motive already spoken of, and have held that _because_ pleasure is the end of desire, therefore it is the moving spring of conduct (or more often that because it is the moving spring of conduct it _therefore_ is the end of desire). Mr. Stephen (Science of Ethics, pp. 46-58), although classing himself as a hedonist, has brought out this confusion very clearly. Ordinary hedonism confounds, as he shows, the judgment of what is pleasant--the supposed end--with the pleasant judgment--the moving spring. (See also Bradley, Op. cit., pp. 232-236). It may be admitted that it is feeling which moves to action, but it is the _present_ feeling which moves. If the feeling aimed at moves, it is only as through anticipation it becomes the present feeling. Now is this present feeling which moves (1) mere pleasure and (2) mere feeling at all? This introduces us to the question of the relation of pleasure (and of feeling in general) to character. 1. If the existing state of consciousness--that which moves--were pure pleasure, why should there be any movement, any act at all? The feeling which moves must be in so far complex: over against the pleasure felt in the anticipation of an end as satisfying, there must be pain felt in the contrasting unsatisfactory present condition. There must be tension between the anticipated or ideal action, and the actual or present (relative) non-action. And it is this tension, in which pain is just as normal an element as pleasure, which moves. Desire is just this tension of an action which satisfies, and yet is only ideal, against an actual possession which, in contrast with the ideal action, is felt as incomplete action, or lack, and hence as unsatisfactory.