Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They LivedLong, William J. (William Joseph)
History
Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They Lived
Long, William J. (William Joseph)
American literature -- History and criticism; English literature -- History and criticism
It accomplished, first, the nationalization of England, uniting the petty
Saxon earldoms into one powerful kingdom; and second, it brought into
English life, grown sad and stern, like a man without hope, the spirit of
youth, of enthusiasm, of eager adventure after the unknown,--in a word, the
spirit of romance, which is but another name for that quest of some Holy
Grail in which youth is forever engaged.
NORMAN LITERATURE. One who reads the literature that the conquerors brought
to England must be struck by the contrast between the Anglo-Saxon and the
Norman-French spirit. For example, here is the death of a national hero as
portrayed in _The Song of Roland_, an old French epic, which the
Normans first put into polished verse:
Li quens Rollans se jut desuz un pin,
Envers Espaigne en ad turnet son vis,
De plusurs choscs a remembrer le prist....
"Then Roland placed himself beneath a pine tree. Towards Spain he
turned his face. Of many things took he remembrance: of various
lands where he had made conquests; of sweet France and his kindred;
of Charlemagne, his feudal lord, who had nurtured him. He could not
refrain from sighs and tears; neither could he forget himself in
need. He confessed his sins and besought the Lord's mercy. He
raised his right glove and offered it to God; Saint Gabriel from
his hand received the offering. Then upon his breast he bowed his
head; he joined his hands and went to his end. God sent down his
cherubim, and Saint Michael who delivers from peril. Together with
Saint Gabriel they departed, bearing the Count's soul to Paradise."
We have not put Roland's ceremonious exit into rime and meter; neither do
we offer any criticism of a scene in which the death of a national hero
stirs no interest or emotion, not even with the help of Gabriel and the
cherubim. One is reminded by contrast of Scyld, who fares forth alone in
his Viking ship to meet the mystery of death; or of that last scene of
human grief and grandeur in _Beowulf_ where a few thanes bury their
dead chief on a headland by the gray sea, riding their war steeds around
the memorial mound with a chant of sorrow and victory.
Public-domain text, read in full here on John Shaqi.
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