Outlines of Universal History, Designed as a Text-book and for Private Reading — John Shaqi
Outlines of Universal History, Designed as a Text-book and for Private ReadingFisher, George Park
History
Outlines of Universal History, Designed as a Text-book and for Private Reading
Fisher, George Park
World history
"Nothing," says Max Müller, "necessitates the admission of different
independent beginnings for the _material_ elements" [the
vocabulary] "of the Turanian, Semitic, and Aryan branches of
speech." The same thing Müller affirms of "the formal elements"
[the grammatical structure] "of these groups of languages." "We can
perfectly understand how, either through individual influences or by
the wear and tear of speech in its continuous working, the different
systems of grammar of Asia and Europe may have been produced."
(_Lectures on Language_, 1st series, p. 340.) The same
conclusions are reached by Professor W. D. Whitney, who, while
disclaiming for linguistic science the power to prove that the human
race in the beginning formed one society, says, that it is "even far
more demonstrable" that it can "never prove the variety of human
races and origins." (_Life and Growth of Language_, p. 269.)
We know that nations can learn and unlearn a language. The Irish,
adopting the language of their English conquerors, is one of many
examples of the same sort in history. What effects upon language
took place, prior to recorded history, from the mingling of tribes
and peoples, it is impossible to ascertain. The consequences to
language, of mixture among different forms of speech, were like
those which must have been produced upon the physical man from the
mingling of diverse physical types in remote ages. Science, if it
has no decided verdict to render, does not stand in conflict with
the monogenist doctrine, which has generally been understood to be
the teaching of the Scriptures.
MYTHOLOGY.
The polytheistic religions are in themselves a highly interesting part
of the history of mankind. In the multiform character that belongs to
them we find reflected the peculiar traits of the several peoples
among whom they have arisen. The history of religion stands in a close
connection with the development of the fine arts,--architecture and
sculpture, painting, music, and also poetry. The earliest rhythmical
utterance was in hymns to the gods. To worship, all the arts are
largely indebted for their birth and growth. This, however, is only
one of the ways in which religion is interwoven with the rise and
progress of civilization.
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