Over There: War Scenes on the Western FrontBennett, Arnold
History
Over There: War Scenes on the Western Front
Bennett, Arnold
Bennett, Arnold, 1867-1931; World War, 1914-1918 -- Personal narratives, British
OVER THERE
War Scenes on the Western Front
By ARNOLD BENNETT
I The Zone Of Paris
From the balcony you look down upon massed and variegated tree-
tops as though you were looking down upon a valley forest from a
mountain height. Those trees, whose hidden trunks make alleys and
squares, are rooted in the history of France. On the dusty gravel of
the promenade which runs between the garden and the street a
very young man and a girl, tiny figures, are playing with rackets at
one of those second-rate ball games beloved by the French petite
bourgeoisie. Their jackets and hats are hung on the corner of the
fancy wooden case in which an orange-tree is planted. They are
certainly perspiring in the heavy heat of the early morning. They are
also certainly in love. This lively dalliance is the preliminary to a
day's desk-work. It seems ill-chosen, silly, futile. The couple have
forgotten, if they ever knew, that they are playing at a terrific and
long-drawn moment of crisis in a spot sacred to the finest
civilisation.
From the balcony you can see, close by, the Louvre, with its
sculptures extending from Jean Goujon to Carpeaux; the Church of
St. Clotilde, where Cesar Franck for forty years hid his genius away
from popularity; the railway station of the Quai d'Orsay, which first
proved that a terminus may excite sensations as fine as those
excited by a palace or a temple; the dome of the Invalides; the
unique facades, equal to any architecture of modern times, to the
north of the Place de la Concorde, where the Ministry of Marine has
its home. Nobody who knows Paris, and understands what Paris
has meant and still means to humanity, can regard the scene
without the most exquisite sentiments of humility, affection, and
gratitude. It is impossible to look at the plinths, the mouldings, the
carving of the Ministry of Marine and not be thrilled by that supreme
expression of national art.
And all this escaped! That is the feeling which one has. All this
beauty was menaced with disaster at the hands of beings who
comprehended it even less than the simple couple playing
ball, beings who have scarcely reached the beginnings of
comprehension, and who joined a barbaric ingenuousness to a
savage cruelty. It was menaced, but it escaped. Perhaps no city
was ever in acuter peril; it escaped by a miracle, but it did escape. It
escaped because tens of thousands of soldiers in thousands of taxi-
cabs advanced more rapidly than any soldiers could be expected to
advance. "The population of Paris has revolted and is hurrying to
ask mercy from us!" thought the reconnoitring simpletons in Taubes,
when they noted beneath them the incredible processions of taxi-
cabs going north. But what they saw was the Sixth Army, whose
movement changed the campaign, and perhaps the whole course
of history.
"A great misfortune has overtaken us," said a German officer the
next day. It was true. Greater than he suspected.
Public-domain text, read in full here on John Shaqi.
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