From the curious old seal of the University of
St. Andrews, however, it appears that the luxury of forms was permitted,
in Scotland, to all but the servitors, who held the lecturer’s candles.
The principal of Catte’s is in academic dress, and wears a black cape,
boots, and a hood. The undergraduates have no distinguishing costume.
After an hour or two of _vivâ voce_ exercises in the grammar of Priscian,
preparatory lecture is over, and a reading man will hurry off to the
‘schools,’ a set of low-roofed buildings between St. Mary’s and
Brasenose. There he will find the Divinity ‘school’ or lecture-room in
the place of honour, with Medicine on one hand and Law on the other; the
lecture-rooms for grammar, rhetoric, logic, arithmetic, music, geometry,
and astronomy, for metaphysics, ethics, and ‘the tongues,’ stretching
down School Street on either side. Here the Prælectors are holding
forth, and all newly made Masters of Arts are bound to teach their
subject _regere scholas_, whether they like it or not. Our friend,
Master Stoke, however, is on pleasure bent, and means to pay his fine of
twopence for omitting lecture, and go off to the festival of his _nation_
(he is of the Southern nation, and hates Scotch, Welsh, and Irish) in the
parish Church. He stops in the Flower Market and at a barber’s shop on
his way to St. Peter’s, and comes forth a wonderful pagan figure with a
Bacchic mask covering his honest countenance, with horns protruding
through a wig of tow, with vine-leaves twisted in and out of the horns,
and roses stuck wherever there is room for roses. Henricus de Bourges,
and half a dozen Picardy men, with some merry souls from the Southern
side of the Thames, are jigging down the High, playing bag-pipes and
guitars. To these Stoke joins himself, and they waltz joyously into the
church, and in and out of the gateways of the different halls, singing,—
‘Mihi est propositum in taberna mori,
Vinum sit appositum morientis ori,
Ut dicant, quum venerint, angelorum chori
Deus sit propitius huic potatori.’
Public-domain text, read in full here on John Shaqi.
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