Oxford (England) -- Description and travel; University of Oxford
The lantern of the Radcliffe Library appears between the column and the
picturesque house covered with greenery, above which rises the tower and
spire of St. Mary’s, the University Church.
Between this house and a lower building--St. Mary’s Hall--runs St.
Mary’s Hall Lane, emerging into “the High” opposite the porch of St.
Mary’s Church.
The buildings on the extreme right of the picture are those belonging to
Oriel College.]
with jests and fancies that disenthroned all powers except fantasy and
adventure and mirth. Out of doors, at Yarnton or Cumnor or Tew, he
seemed near kinsman to the sun and the south wind, so that for a time we
were one with them, with a sense of mystery and of pride. And, whether
in or out of doors, he loved the night, because her hands were soft, and
he found the shadows _infernis hilares sine regibus_, as in the world of
Saturn. He would hail the morn as he saw her from a staircase window
with “Sweet cousin” and such follies; and would go into the chapel on
summer evenings without a candle to see prophet and apostle lit by the
tender beam. He wrote, and never printed, much verse. When I look at it
now, I wonder in what language it was conceived, and where the key is
hidden, and by what shores and forests to-day, men speak or dream it.
The verses seem to maturer eyes but as crude translations out of
silence. Yet in the old days we called him sometimes the Last, sometimes
the First, of the Bards, so nimble and radiant was his spirit. He seemed
one that might have written _Tamerlane_ in his youth, after a pot of
sack with Shakespeare at the “Crown” in Cornmarket Street. I know not
whether to call him immemorially old or young. He had touches of the
golden age, and as it were a tradition from the singer who was in that
ship which
First through the Euxine seas bore all the flower of Greece.
Unlike other clever people in Oxford he was brilliant in early morning;
would rise and talk and write at dawn,--go a-maying,--sing hunting
ditties amid the snow to the leaden east and the frozen starlings, by
Marston or above Wytham and Eynsham. His laugh fell upon our ears like
an echo from long-forgotten, Arcadian existences; it was in harmony with
the songs of thrushes and the murmur of the Evenlode. Coming into his
room we expected to see a harp at his side. But where are the voices
that we heard and uttered?--
Are they exiled out of stony breasts,
Never to make return?
Once more is the blackbird’s fluting a mystery save that it speaks of
him, last of the Bards.
Public-domain text, read in full here on John Shaqi.
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