Panama and the Canal in Picture and ProseAbbot, Willis J. (Willis John)
History
Panama and the Canal in Picture and Prose
Abbot, Willis J. (Willis John)
Panama Canal (Panama) -- History
River is at low water. For picture showing it at flood, see page 141]
Manuel indeed was the son of the alcalde of his village, and the alcalde
is a person of much power and of grandeur proportionate to the number of
thatched huts in his domain. The son bore himself as one of high lineage
and his face indeed, Caucasian in all save color, showed that Spanish
blood predominated over the universal admixture of negro. He saved his
money, spending less than $10 a month and investing the rest in horses.
[Illustration: A QUIET BEACH ON THE CHAGRES]
From Matachin up to Cruces the river is comparatively commonplace,
spanned at one point by the Gamboa bridge up at which the voyager looks
reflectively from below as he hears that when the spillway is closed and
the lake filled up there will be but 15 feet headway above the river’s
crest, where at the moment there is more than 60. Higher up are the
towers, housing the machinery for recording the river’s rise, one of
them a relic of the French régime, while a slender wire spanning the
stream carries the pendulous car in which observers will go out at flood
time to measure the height of the tide’s crest and the speed of the
current. A stream of many moods is the Chagres, sometimes rising 40 feet
in 24 hours. Accordingly along its banks and those of its principal
tributaries are fluviographic stations whence watchers may telephone to
the keepers of the flood gates of the dam warnings of the coming of any
sudden freshet.
[Illustration: COPYRIGHT, 1913, BY F. E. WRIGHT
THE RIVER AND VILLAGE OF CHAGRES
The little hamlet of rude thatched huts with a frame Catholic church in
the middle has seen history in its time. The Spanish fortress of San
Lorenzo on the hill was taken by Sir Henry Morgan’s buccaneers and later
by the British under Admiral Vernon after hard fighting.]
Public-domain text, read in full here on John Shaqi.
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