Papers from LilliputPriestley, J. B. (John Boynton)
General
Papers from Lilliput
Priestley, J. B. (John Boynton)
English essays -- 20th century
AN APOLOGY FOR BAD PIANISTS 140
A FATHER’S TRAGEDY 146
ON GETTING OFF TO SLEEP 153
ON TRAVEL BY TRAIN 159
THE PEEP 165
ON VULGAR ERRORS 172
ON GOSSIP 178
A ROAD AND SOME MOODS 184
ON A CERTAIN CONTEMPORARY ESSAYIST 190
ON LIFE AND LUCKY BAGS 197
GRIGSBY: A RECORD AND AN APPRECIATION 202
A PARAGON OF HOSTS 216
ON A CERTAIN PROVINCIAL PLAYER
It has been said that literature must use its gift of praise or it will
come to nothing. Those of us who keep up a little dribble of ink, though
we aspire to be very Swifts, must ultimately bestow our commendation
somewhere: our praise is the last, greatest and kindliest weapon in our
poor armoury. If we can applaud where most men have kept silent, so much
the better: we are fine fellows, using our little tricks to sweeten the
world. So much preamble is necessary because I wish to bring forward, in
this season of burning questions, the figure of a poor player who died
over one hundred and fifty years ago and whose very name is now only
known to a few. True, it can be found in many places, but who goes to
them? For my part, I have rescued him from the pages of _The Eccentric
Mirror_, a quaint production of four volumes, ‘reflecting (I quote the
title-page) a faithful and interesting delineation of Male and Female
Characters, Ancient and Modern, Who have been particularly distinguished
by extraordinary Qualifications, Talents, and Propensities, natural or
acquired.’ There, among fat men, giants, freaks and eccentrics, I found
our hero, Bridge Frodsham, a country actor, once known as the ‘York
Garrick.’ He comes rather late in the series of characters, and is only
there at all because the compiler was probably running short of better
material, such as fat men, murderers, misers, and the like. Even then,
Frodsham is scurvily treated; he is set down simply as a very good
specimen of the conceited, self-opinionated young fool; the greatness
that was in him is entirely missed; and it has been left for us, at this
late hour, to give him his meed of praise. But let us turn to the
details of his story, which I shall filch for the most part from _The
Eccentric Mirror_, and thereby get myself some return for the four
shillings and sixpence I paid for it.
Public-domain text, read in full here on John Shaqi.
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