Papers from LilliputPriestley, J. B. (John Boynton)
General
Papers from Lilliput
Priestley, J. B. (John Boynton)
English essays -- 20th century
Bridge Frodsham was born at the town of Frodsham, in Cheshire, in the
year 1734. As you may guess, he belonged, like a true hero, to an
ancient family. His education was begun at Westminster, but owing to
some youthful imprudence he ran away and joined a company of strolling
players. It was not long before he had drifted to York, where he became
the leading actor at the little make-shift theatre. He was not, it
appears, without talent, for he soon became the darling of the
theatre-going crowd, such as it was, of that city. York knew no better
actor than Frodsham, who was acclaimed in all the local pot-houses,
where he was something of a boon companion. Hear the author of _The
Eccentric Mirror_ on this very theme:
‘Such was the infatuation of the public at York, and indeed so superior
were Frodsham’s talents to those of all his coadjutors that he cast them
all into the shade. This superiority was by no means a fortunate
circumstance for Frodsham. It filled him with vanity and shut up every
avenue to improvement; nor had he any opportunity for observation, as no
actors of any high repute were ever known to tread the York stage, and
he was never more than ten days in London.’
Even in this passage, short as it is, you will have remarked a certain
air of patronage, a suspicion of asperity, and you will be on your
guard; for this London hack, this biographer of dwarfs and infant
prodigies, who dotes on filthy misers and becomes lyrical in praise of
Daniel Lambert, is trying to rob our sturdy provincial of his greatness.
For greatness he certainly achieved, and not at York, mark you, among
his pot-house followers, but in London, during a short visit of ten days
or so. He had been given a fortnight’s holiday, which he determined to
spend in London, to the great distress of the people of York, who
thought that once Garrick saw Frodsham, the Yorkshire stage was doomed
to lose its bright particular star. They did not know their man, as you
shall see. Fate had decided that for once Garrick should meet his match,
or more than his match, in a fellow actor; and it is Frodsham’s conduct
in this encounter that gives him some title to our applause. For my own
part, I applaud more readily because it happened to be the great Garrick
who was so disconcerted by the unknown player from the country. We have
all our little prejudices, and one of mine chances to be against the
swollen fame of Garrick. I am no great hater of mummer-worship, and am
always ready to believe what I read of Betterton, Mountford, Kemble,
Kean, Macready, and I know not how many more old actors; but somehow I
have always been suspicious of Garrick. No doubt I could invent, if
necessary, half-a-dozen respectable reasons, but suffice it to say that
I have always felt that he was over-rated, that things went too easily
with him, that for all his sense of humour he took himself too
seriously; I see him as a strutting, perky little figure. I may be
Public-domain text, read in full here on John Shaqi.
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