both tell us to avoid meeting good authors, though they say nothing of bad ones. It only remains for us to decide which are good and which are bad, and we cannot begin too soon. THE ETERNAL CHEAP JACK The war has not changed him. But then all the tumults and long wars of centuries have not changed him. Like the pedant, the demagogue, or the place-hunter, the cheap-jack is an ever-enduring figure. Boccaccio’s Frate Cipolla and Chaucer’s Pardoner were his first cousins; from Shakespeare to O. Henry (to adopt the popular termini), he has chaffered and cozened his way through literature. And he is with us yet in the flesh, for I saw him only last week. I was visiting the weekly fair in a pleasant little town, and had joined the crowd of country folks drifting about the stalls in the market square, when, suddenly, a mighty voice burst forth from the centre of a group of persons huddled in a far corner. In the country, where the long days are filled with the sight and sound of the lower creatures, there is no resisting this eruptive clamour of a human voice for an audience, and, along with others, I hurried to join the thickening press of folk in the corner. There, after many years, I found him, as of old. There was the same indefinable air of something like bravado about his whole figure. His hard face still bore that curious trace of the Jew, mingled with something a great deal worse than the Jew. His clothes, which were new and smart, still seemed to proclaim that they had been made for someone else; and the various trinkets about his person still confessed their inability to inspire confidence. In front was the same old stall, laden with innumerable, mysterious packages, all thickly wrapped in tissue paper; and by the side of the stall stood the inevitable assistant, silent, dejected, unshaven, looking like a rough and shabbier copy of his master, or perhaps a poor relation. Nothing had changed. The great man still flourished the sign of his office, a wooden mallet with a ponderous head, with which he hammered upon the stall from time to time as a sort of dramatic punctuation. Best of all, his voice, that one talent which removed him from common men, was there in all its pristine fullness. He spoke in the manner of his kind; in that accent which owns no shire, city, or clan, and yet is heard in all the market places in the land. His very whispered confidences were enough to stir the old bones in the neighbouring churchyard. The crowd, trying to appear sophisticated, was held and mastered by the voice that was trumpeting, cajoling, mocking, within the space of one mighty breath, and yet still went sounding on, dropping manna by the way. Unknowingly he was a passionate votary of the art that has now nearly forsaken the pulpit and the council chamber. We, his audience, stifled all doubts, and waited, promise-crammed.