Here was an awkward position indeed for a young bumpkin standing before the greatest actor of the age. It had no effect, however, upon Frodsham, who plunged into Hamlet’s first soliloquy without more ado. This he followed up with ‘To be or not to be.’ Garrick, we are told, made use of a favourite device of his when dealing with inferiors, ‘all the time darting his fiery eyes into the very soul of Frodsham.’ I make no doubt that as a rule it was a very effective trick, but on this occasion it failed, for Frodsham was in no way embarrassed by it. His chronicler, in a malicious vein, adds: ‘On Frodsham, his formidable looks had no such effect, for had he noticed Garrick’s eyes and thought them penetrating, he would have comforted himself with the idea that his own were equally brilliant or even still more so.’ And why not?--we might ask. Is there a monopoly of fiery eyes that dart into souls? At best, this darting of eyes was simply a mean little trick, which deserved to be brought to nothing by a youngster’s harmless conceit of himself. When Frodsham had done, Garrick thought to finish him with a shrug and said: ‘Well, hey now, hey!--you have a smattering, but you want a little of my forming; and really in some passages you have acquired tones I do not by any means approve.’ ‘Tones! Mr. Garrick!’ returned Frodsham, tartly; ‘to be sure I have tones, but you are not familiarised to them. I have seen you act twice, and I thought you had odd tones, and Mrs. Cibber strange tones, and they were not quite agreeable to me on the first hearing, but I dare say I should soon be reconciled to them.’ This was unsupportable. Neither the presence of greatness (darting its eyes) nor adverse criticism could crush this extraordinary young man from nowhere. The astounded Garrick decided to come to business, which would at least restore the proper relations between the two, the famous actor and the impudent nobody, and put the latter in his only possible place, that of a humble suppliant. ‘Why now,’ he cried, ‘really, Frodsham, you are a damned queer fellow--but for a fair and full trial of your genius my stage shall be open, and you shall act any part you please, and if you succeed we will then talk of terms.’ Which was, I think, a fair offer. Then came the masterstroke. ‘O,’ said Frodsham, indifferently, ‘you are mistaken, my dear Mr. Garrick, if you think I came here to solicit an engagement. I am a Roscius at my own quarters. I came to London purposely to see a few plays, and looking on myself as a man not destitute of talents, I judged it a proper compliment to wait on a brother genius: I thought it indispensable to see you and have half an hour’s conversation with you. I neither want nor wish for an engagement; for I would not abandon the happiness I enjoy in Yorkshire for the first terms your great and grand city could afford.’ With that, he withdrew with a careless bow, leaving Garrick speechless.