Papers from LilliputPriestley, J. B. (John Boynton)
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Papers from Lilliput
Priestley, J. B. (John Boynton)
English essays -- 20th century
It is to Garrick’s credit that he often told the story of this strange
visit to members of his company. But as he probably thought that
Frodsham was merely a lunatic, for he always referred to him as ‘the mad
York actor,’ and so possibly did not realise that there was more than
one side to the story, and that he was telling it against himself, we
will not give him too much credit. Nor will I, for one, pass his
epithet, for if Frodsham was not a mere conceited young fool, as our
historian foolishly suggests he was, neither was he a plain madman. His
point of view was not Garrick’s, but it was a very reasonable point of
view. The remarks he made were certainly not without a good deal of
sound sense; they were critical, honest, and not, I think lacking in
courtesy. It is true that he had a very good opinion of himself, but
then so had Garrick, and so, by your leave, have you and I. The
difference between Frodsham and the dozens of other young actors who
sought out Garrick lies in the fact that one made no attempt to disguise
his opinions, whereas the others, in all probability, cringed and lied
unblushingly for an hour or two. But Frodsham, you may urge, had no
sense of proportion, no idea of relative values; he could not understand
the difference between the applause of York and that of London; he could
not see the gulf that stretched between the darling of a local fit-up
and the captain of Drury Lane. The charge is true, but is it very
damaging? Such a habit of mind has prevented many a man from getting on
in the world, but it never kept any man from greatness. I maintain that,
over and above all conceit, there was a certain simplicity in Frodsham
that came very near to greatness, if it did not achieve it, and that, in
its elemental frankness and disdain of worldly wisdom, was not without a
touch of real poetry.
Now that our hero has had his great moment, and has lounged, as it were,
into the wings, followed by our applause, I hesitate whether to bring
him back again upon the stage. Encores are rarely satisfactory to the
audience, and I fear an anti-climax. To speak of Frodsham’s visit to
Rich after describing his encounter with Garrick is to talk of
Quatre-Bras after Waterloo; and yet, seeing that our man is ready for
us and may not be heard of again for many a year, I will venture it.
Public-domain text, read in full here on John Shaqi.
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