Fogs and falling rain, but especially snow, powerfully obstruct the free propagation of sound; and the same effect is produced by a coating of fresh-fallen snow on the ground, though when glazed and hardened at the surface by freezing, it has no such influence. Over water, or a surface of ice, sound is propagated with remarkable clearness and strength. Dr. Hutton relates, that on a quiet part of the Thames, near Chelsea, he could hear a person distinctly at 140 feet distance, while on the land the same could only be heard at 76 feet. Lieutenant Forster, in the third Polar expedition of Captain Parry, held a conversation with a man across the harbour of Port Bowen, a distance of 6696 feet, or about a mile and a quarter. This, however remarkable, falls short of what is related by Dr. Young, on the authority of the Rev. W. Derham, _viz._ that, at Gibraltar, the voice has been heard ten miles, perhaps, across the strait. The cannonade of a sea-fight between the English and Dutch, in 1672, was heard across England as far as Shrewsbury, and even in Wales, a distance of upwards of 200 miles from the scene of action. At Carisbrook Castle, in the Isle of Wight, is a well 210 feet in depth, and twelve feet in diameter, into which if a pin be dropped, it will be distinctly heard to strike the water. The interior is lined with very smooth masonry. PROGRESS OF SOUND. A stretched string, as that of a piano-forte, may be made to vibrate not only from end to end, but in aliquot parts, the portions being separated by points of rest which interrupted the progress of the sound. This kind of effect may be shown by shaking a long piece of cane in the air, when there will be one, two, or three points of rest, according to the mode of vibrating it. An elastic surface has, likewise, some parts in motion and others at rest; and these parts may be made visibly distinct, by strewing pieces of bristle over them upon the sounding-board of an instrument. When a bow is drawn across the strings of a violin, the impulses produced may be rendered evident by fixing a small steel bead upon the bow; when looked at by light or in sunshine, the bead will seem to form a series of dots during the passage of the bow. SOUND TURNING CORNERS.