Pour sparkling champagne into a glass until it is half full, when the glass will lose its power of ringing by a stroke upon its edges, and will emit only a disagreeable and puffy sound. Nor will the glass ring while the wine is brisk, and filled with air-bubbles; but, as the effervescence subsides, the sound will become clearer and clearer, and when the air bubbles have entirely disappeared, the glass will ring as usual. If a crumb of bread be thrown into the champagne, and effervescence be re-produced, the glass will again cease to ring. The same experiment will also succeed with soda-water, ginger wine, or any other effervescing liquid. MUSIC FROM PALISADES. If a line of broad palisades, set edgewise in a line directed from the ear, and at even distances from each other, be struck at the end nearest the auditor, they will reflect the sound of the blow, and produce a succession of echoes: these, from the equal distance of the palisades, will reach the ear at equal intervals of time, and will, therefore, produce the effect of a number of impulses originating in one point. Thus, a musical note will be heard. THEORY OF THE JEW’S HARP. If you cause the tongue of this little instrument to vibrate, it will produce a very low sound; but, if you place it before a cavity, (as the mouth,) containing a column of air, which vibrates much faster, but in the proportion of any simple multiple, it will then produce other higher sounds, dependent upon the reciprocation of that portion of the air. Now, the bulk of air in the mouth can be altered in its form, size, and other circumstances, so as to produce by reciprocation, many different sounds; and these are the sounds belonging to the Jew’s Harp. A proof of this fact has been given by Mr. Eulenstein, who fitted into a long metallic tube a piston, which, being moved, could be made to lengthen or shorten the efficient column of air within at pleasure. A Jew’s Harp was then so fixed that it could be made to vibrate before the mouth of the tube, and it was found that the column of air produced a series of sounds, according as it was lengthened or shortened; a sound being produced whenever the length of the column was such that its vibrations were a multiple of those of the Jew’s Harp. MUSIC OF THE SNAIL. Place a garden-snail upon a pane of glass, and in drawing itself along, it will frequently produce sounds similar to those of musical glasses. TO TUNE A GUITAR WITHOUT THE ASSISTANCE OF THE EAR. Make one string to sound, and its vibrations will, with much force, be transferred to the next string: this transference may be seen by placing a saddle of paper (like an inverted v, Λ) upon the string, at first in a state of rest. When this string _hears_ the other, the saddle will be shaken, or fall off; when both strings are in harmony, the paper will be very little, or not at all, shaken. MUSIC FROM GLASS OR METAL RODS.