occupied my mind so that I could not sleep all night. At seven
o’clock, when I saw that my sister was not up, I concluded that she
was no longer sleeping, and feared that she might be ill.
Accordingly, I went to her bed, where I found her still fast asleep.
The noise I made awoke her; she asked me what o’clock it was. I told
her; and having inquired how she was, and if she had slept well, she
said she was very well, and that she had slept excellently. So she
rose, dressed, and went away, doing this, as everything else, with a
tranquillity and equanimity inconceivable. We said no adieu for fear
of breaking down. I only turned aside when I saw her ready to go.
In this manner she quitted the world on the 4th January 1652, being
then exactly twenty-six years and three months old.” {58}
Our readers will not grudge this extract, so touching in its simplicity.
What a living picture does it give us of this remarkable family!—the
elder sister’s wakeful anxiety—the younger’s calm determination—the
brother’s half-suppressed yet deeply-moved tenderness—the proud and
sensitive reserve of all the three. Jacqueline’s firmness was heroic,
but her heart was full of concern. She had escaped the
half-authoritative, half-supplicating entreaties of her brother, and
found refuge for her long-cherished solicitudes of heart in the bosom of
Port Royal, and the strong counsels both of the Mère Angélique and the
Mère Agnès. But after a while this did not satisfy her. When the time
came to make her profession, she was anxious to do so, not merely with
her own consent, but with her brother’s. And accordingly, she addressed
him in the following March a remarkable letter, in which, while reminding
him that she was her own mistress to do as she wished in a matter so
seriously affecting her life, she yet prayed him to give her a kindly
greeting in her solemn act, and to come to the ceremony of her taking the
vows. The letter breathes at once the affection of a sister and the
passion of a saint,—the proud firmness so characteristic of the family,
with a charming sweetness, blending entreaty with command. She signs
herself already “Sister of Sainte Euphémie,” the name which she adopted
as an inmate of Port Royal, addressing her brother for the most part with
the grave formal “you,” but now and then relapsing into the old familiar
“thou,” as if she were still in the family home.
Public-domain text, read in full here on John Shaqi.
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