Drama -- History and criticism; English essays -- 20th century; Literature -- History and criticism
M. Mazure hastily thrust _Le Phare_ into his pocket and looked askance at
the voluminous foreign journal, wherein he could claim no little thing of
his own. M. Bergeret accepted it and applied himself as conscientiously
to construing the text as though it were one of those books of the Æneid
from which he was compiling his “Virgilius Nauticus.” “The manners of
our neighbours,” he presently said, “are as usual more interesting to
a student of human nature than their politics. I read that they are
seriously concerned about the ethical teaching of their kinematography,
and they have appointed a film censor, the deputy T. P. O’Connor.”
“I think I have heard speak of him over there,” interrupted M. de
Terremondre; “they call him, familiarly, Tépé.”
“A mysterious name,” said M. Bergeret, “but manifestly not abusive, and
that of itself is a high honour. History records few nicknames that
do not revile. And if the deputy O’Connor, or Tépé, can successfully
acquit himself of his present functions he will be indeed an ornament
to history, a saint of the Positivist Calendar, which is no doubt less
glorious than the Roman, but more exclusive.”
“Talking of Roman saints,” broke in M. Mazure, “the Abbé Lantaigne has
been spreading it abroad that you called Joan of Arc a mascot.”
“By way of argument merely,” said M. Bergeret, “not of epigram. The Abbé
and I were discussing theology, about which I never permit myself to be
facetious.”
“But what of Tépé and his censorial functions?” asked M. de Terremondre.
“They are extremely delicate,” replied M. Bergeret, “and offer pitfalls
to a censor with a velleity for nice distinctions. Thus I read that
this one has already distinguished, and distinguished _con allegrezza_,
between romantic crime and realistic crime, between murder in Mexico
and murder in Mile End (which I take to be a suburb of London). He has
distinguished between ‘guilty love’ and ‘the pursuit of lust.’ He has
distinguished between a lightly-clad lady swimming and the same lady at
rest. Surely a man gifted with so exquisite a discrimination is wasted
in rude practical life. He should have been a metaphysician.”
“Well, I,” confessed M. de Terremondre, “am no metaphysician, and it
seems to me murder is murder all the world over.”
Public-domain text, read in full here on John Shaqi.
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