done well, in his account of the capture of Scyrus by Achilles, to have said not a word about what others relate, of Achilles having lived at Scyrus among the maidens, which Polygnotus has painted; who has also painted Odysseus suddenly making his appearance as Nausicaa and her maids were bathing in the river, just as Homer has described it. And among other paintings is Alcibiades, and there are traces in the painting of the victory of his horses at Nemea. There too is Perseus sailing to Seriphus, carrying to Polydectes the head of Medusa. But I am not willing to tell the story of Medusa under ‘Attica.’ And, among other paintings, to pass over the lad carrying the waterpots, and the wrestler painted by Timænetus, is one of Musæus. I have read verses in which it is recorded that Musæus could fly as a gift of Boreas, but it seems to me that Onomacritus wrote the lines, and there is nothing certainly of Musæus’ composition except the Hymn to Demeter written for the Lycomidæ. And at the entrance to the Acropolis is a Hermes, whom they call Propylæus, and the Graces, which they say were the work of Socrates the son of Sophroniscus, whom the Pythian priestess testified to have been the wisest of men, a thing which was not said to Anacharsis, though he went to Delphi on purpose. CHAPTER XXIII. Now the Greeks among other things say that they had the seven wise men. And among these they include the Lesbian tyrant and Periander the son of Cypselus: and yet Pisistratus and his son Hippias were far more humane and wise than Periander, both in war and in all that appertained to citizen life, until Hippias because of the death of Hipparchus acted with great cruelty, especially to a woman called Leæna, (_Lioness_). For after the death of Hipparchus, (I speak now of what has never before been recorded in history, but yet is generally believed by the Athenians), Hippias tortured her to death, knowing that she had been Aristogiton’s mistress, and thinking that she could not have been ignorant of the plot against Hipparchus. In return for this, when the Pisistratidæ had been deposed from the kingdom, a brazen lioness was erected by the Athenians to her memory, and near her a statue of Aphrodite, which they say was a votive offering of Callias, designed by Calamis.