Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
To the best of my recollection, I waited ten days from the day of
publication, before I had another line from the publisher. My mother,
judging from his ill-humor, inferred that he had good news to tell:
whereas I supposed the contrary. My mother was right; and I could now
be amused at his last attempts to be discouraging, in the midst of
splendid success. At the end of those ten days, he sent with his letter
a copy of my first number, desiring me to make, with all speed, any
corrections I might wish to make, as he had scarcely any copies left.
He added that the demand led him to propose that we should now print
two thousand. A postscript informed me that since he wrote the above,
he had found that we should want three thousand. A second postscript
proposed four thousand, and a third, five thousand. The letter was
worth having, now it had come. There was immense relief in this; but I
remember nothing like intoxication--like any painful reaction whatever.
I remember walking up and down the grass-plot in the garden (I think it
was on the tenth of February), feeling that my cares were over. And so
they were. I think I may date my release from pecuniary care from that
tenth of February, 1832.
HARRIET MARTINEAU: ‘Autobiography.’
* * * * *
[Sidenote: Manner of life in London.]
Her course in London was as follows: She wrote in the morning, rising,
and making her own coffee, at seven, and going to work immediately
after breakfast, until two. From two till four she saw visitors. Having
an immense acquaintance, she declined undertaking to make morning
calls; but people might call upon her any afternoon. She was charged
with vanity about this arrangement; but, with the work on her hands and
the competition for her company, she really could not do differently.
Still, Sydney Smith suggested a better plan; he told her she should
“hire a carriage and engage an inferior authoress to go round in it
and drop the cards!” After any visitors left, she went out for her
daily “duty walk,” and returned to glance over the newspapers, and to
dress for dinner. Almost invariably she dined out, her host’s or some
other friend’s carriage being commonly sent to fetch her. One or two
evening parties would conclude the day, unless the literary pressure
was extreme, in which case she would sometimes write letters after
returning home. During the whole time of writing her series, she was
satisfied with from five to six hours’ sleep out of the twenty-four,
and though she was not a teetotaller, but drank wine at dinner, still
she took no sort of stimulant to help her in her work.
MRS. FENWICK MILLER: ‘Harriet Martineau.’
* * * * *
[Sidenote: Carlyle’s first impression of her.]
Public-domain text, read in full here on John Shaqi.
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